Edited by Samuel Bill, Juan Pablo Contreras & Scott Wollschleger. Collections for soprano, mezzo-soprano, tenor,
A collection of 21 art songs, plus four arias in the High Voice volume or three arias in the Medium/Low Voice volume. Contents for both include: Dirge in Woods; Old Poel; Pastorale; Poet's Song;
These groundbreaking anthologies of arias for each voice type collect arias and role excerpts from operas of the 20th and 21st centuries. Composers include John Adams, Benjamin Britten, Carlisle Floyd,
Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approach the great vocal repertoire for practicing, performing, or simply singing opera arias. These
Extracted from "Flight," the original modern-day operatic comedy with libretto by April de Angelis, this aria for countertenor also known as the Refugee's Aria tells of a refugee's longing to
This deeply expressive arioso opens Handel's Ode for the Birthday of Queen Anne, which was written circa 1713. It is best known, more recently, for its use in the royal wedding of Meghan Markle and
"With distinguish'd glory shine, to add a lustre to this day." In 1713, Handel set this joyful text to one of his most exquisite melodies. A tender work of extraordinary grace, Eternal Source of Light
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This anthology contains French arias for lyric or dramatic soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. The edition includes an informative
This Urtext edition contains French operatic arias for soprano and piano from the works that opera reformer Christoph Willibald Gluck composed on commission for the Paris Opera. These operas include
These newly engraved and edited aria collections will become a staple in the vocal studio. The soprano edition includes 18 arias by Mozart, Donizetti, Bellini, Verdi, Puccini, and others and the tenor
The 1608 opera "Arianna" is best known for the title character's lament sung by Isabella Andreini. The interest in this operatic scene now known as the Lamento d’Arianna led to many
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Nicklausse's famous violin aria from the third act of "Les Contes d’Hoffmann" (The Tales of Hoffmann) by Jacques Offenbach is now available in a separate edition. It includes a vocal score as well as