Composed in 1888 at the early age of 24, here is a cycle of six songs for voice and piano on poems by Adolf Friedrich von Schack. Each song is presented with German text in it's original key in the edition
Inspired by Clara Schumann's setting of Heinrich Heine's text in Sie liebten sich beide (Op. 13, No. 2), this modern original setting seeks to maintain the simplicity, structure, clarity and
Also known as the Song of the White Cheese, this song may be performed in German or with an English translation by Michael Feingold. Published here for the first time, this piece was composed in
The second volume of Dvorak's songs comprises his works in the genre from 1878-1901. It captures the peak of Dvorak's song oeuvre, and includes two little-known songs which are not to be found in the
Although better known for his symphonies, sonatas, quartets, and other instrumental forms, Beethoven was an important composer of songs during a key formative period of the genre. This collection features
During his lifetime, Gustav Mahler was both respected and feared as an inexorable perfectionist. His publisher, Universal Edition, ultimately gained Mahler's absolute confidence: he entrusted them with his
This set of songs on Goethe texts for baritone and piano asks questions of the duality of being and appearance. "If one sees Tasso as a relic of a stormy and urgent period," says initiator and premiere
Are you familiar with the 13-volume performance edition of Schubert Lieder? These volumes contain the complete Lieder for solo voice and piano in editions for high, medium, and low voice. This sampler
Vermischter Traum, commissioned by the Berliner Festspiele/Musikfest Berlin, was the first work Rihm composed after a serious illness. He chose verses by Baroque poet Andreas Gryphius, who wrote
Among the many works that Richard Strauss wrote for his wife Pauline de Ahna, these four songs occupy a special position, for the composer gave these "to my beloved Pauline" as a wedding present on
Strauss' opus 27 contains four lieder (art songs) on texts from Karl Henckell, Heinrich Hart, and John Henry Mackay. Presented in three versions, the high-voice edition presents the songs in their original
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Two art songs on texts by Nikolaus Lenau, available for high, medium or low voice soloists with piano accompaniment. Titles: Fruhlingsgedrange (Voices of Spring); O warst du mein! (O, wert thou