The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the
Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities
Colored Stones tells the story of three stones: smoky quartz, lapis lazuli, and tiger's eye. Some cultures and spiritual practices believe these stones have powerful qualities such as the ability
The Native American ghost dance is part of a religious ceremony for the regeneration of the earth and the restoration of the earth's caretakers to their former life. The religion experienced its fullest and
An energetic, lyrical solo, written for Claude Smith's daughter, Pam, and easily accessible to a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based
When I first started thinking about In Malaysia (sometime in April 2015), I immediately heard a bassoon melody playing in my mind that grew into a larger piece of music that painted my memories
For Bassoon and Piano, by Bruno Labate. A charming piece by the Principal Oboist of the New York Philharmonic. Labate is well known among oboists for his pedagogical/recital pieces. This work for bassoon
Bold, dramatic, romantic, and technically exciting!
Jancourt's Reverie Op. 61 was composed in the early 1880s. He dedicated it to his friend and colleague Francois Villaufret (1833-1888), one of the original bassoonists in the Societe de musique de
The Solo No. 2 in D, Op. 52 was originally published in 1887. The piece is cast in a modified ternary form. The opening section is in D minor and the composer employed a fourth relationship, for
Selections include: Bourree I & II from "Third Cello Suite" (Bach); It Is Finished from "St. John Passion" (Bach); Adagio from "Sextet Op. 71" (Beethoven); Cool from
The Sonata for Bassoon and Piano was composed in 2000 and is cast in three movements: Prologue, Elegy, and Riffs and Responses. The Sonata is for the most part a serious work that explores
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Flament composed cadenzas for the first and second movements of the Mozart Concerto in B-Flat major, K. 191. He included the slow movement cadenza as part of his Method for Bassoon, but