A lively and exciting solo from beginning to end - a brief introduction sets up the flavor for a modified presentation of the tune; after a modulation, the second offering is more sedate and sweet, only to
The newest addition to the time-honored "Favorite" series, these carefully chosen, best-known "favorites" of contemporary Christian praise songs are sure to be audience and congregation pleasers for years
Here's a jazzy, R&B influenced treatment of a beloved spiritual. There are optional ad-lib solos for tenor and alto sax. For AATB or SATB saxophone quartet.
This tenor sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more
This alto sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
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Old 100th derives its name from its original pairing with All People That on Earth Do Dwell (Psalm 100). The tune is attributed to Geneva-based French composer Louis (Loys) Bourgeois in
This is a straightforward yet beautiful arrangement of the famous tune. It will require sensitive musicianship and good technique, but is such a fine piece, it practically plays itself.
Here are 23 relaxing hymns arranged for instrumentalists with professionally-recording backing tracks for play-along fun. Includes Abide with Me; Amazing Grace; Blessed Assurance; Come, Thou Fount of
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Skillfully adapted to feature a solo line while retaining much of the original keyboard writing, this is one of the most comprehensive collections of music for solo instrument and either piano or organ
Mary McDonald has transformed ten of her beloved choral anthems into instrumental solos for trumpet or any C or B-flat instrument. Room was left for personal expression, providing options for performance
Duets of virtually any combination will really enjoy this collection of 19 hymns, spirituals, classical and liturgical sacred music. Arranged for complete flexibility, each part book includes both parts.
This collection offers a trove of inspiring instrumental worship music that is flexibly conceived for performance by any combination of Bb or C instruments. Arranged with the average instrumentalist in