Beginning with a calm, reverent setting, these solos are expressive throughout. The middle section is somewhat freer in melodic presentation with the solo treated more as an obbligato line. The quiet ending
A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.
These play-along book/CD packs feature ten of the world's greatest hymns, masterfully arranged by James Curnow: All Creatures of Our God and King; Be Thou My Vision; Praise to the Lord, the Almighty; O
Ten hymns of praise suitable for use at various times throughout the year. Each flexible arrangement can be played by any number or combination of instruments, ranging from solo instrument (with piano or CD
The second volume in the popular and versatile series, these creative and practical arrangements work equally well as solos or duets by any combination of C and B-flat instruments. They are ideal for
Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats
This tenor sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the
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Skillfully adapted to feature a solo line while retaining much of the original keyboard writing, this is one of the most comprehensive collections of music for solo instrument and either piano or organ
Mary McDonald has transformed ten of her beloved choral anthems into instrumental solos for trumpet or any C or B-flat instrument. Room was left for personal expression, providing options for performance