Based on the idea that "where there is love, God is there", this uplifting original work reminds us that we are the carriers and beacons of love and hope. Written in a modern gospel style with optional
Rhythmic, driving, and intense, this arrangement of the traditional spiritual with themes of home, journey, and trial is based on the 1950s Mahalia Jackson version with an Afro-Cuban beat. Add string bass
This fantastic stylized arrangement will appeal to choirs at many levels. Singable and skillfully arranged, this setting is fun, exciting, and captures the gentle joy of this spiritual. The piano
"What will I do with the portion given to me? I will sing." This fantastic work, written in a gospel style with an ecumenical text that challenges each of us to make the most of the lives we've been given,
First recorded by gospel legend Hezekiah Walker, this message of togetherness and support rings true in a powerful arrangement for treble choir.
A statement of faith through the voice of the enslaved, this straightforward and effective setting will resonate with treble choirs at varying levels.
This stylized gospel arrangement of the traditional spiritual features an innovative piano accompaniment and fun vocals suitable for treble choirs at all levels.
The traditional spiritual gets an updated gospel setting that just sparkles for treble voices of all ages. The piano accompaniment and vocal stylings are both in an approachable gospel style that is fun and
"Over my head I hear music in the air, there must be a God somewhere." The traditional spiritual is a mix of hopeful lyrics about the future, despite our current afflictions. This setting brings an exciting
This driving arrangement mashes up two iconic melodies: Give Me Oil in My Lamp and Swing Low. This work is accessible while still being meaningful and fun to sing, with a message of joy
From two very important composers of our time, the lyrics in this monumental work challenge ideas of racism and discrimination, while the music combines jazz and traditional choral techniques. No
This setting builds from melancholy reflection to an outpouring of joy, with tempo changes, solo fragments, a little divisi, and some rhythmic diversity along the way. Some extended vocal lines, with quite
This setting of the classic American folk hymn begins with a piano introduction leading to a solo voice singing the first verse in a traditional way. Then as the choir enters, more modern, rhythmic ideas
This lesser-known spiritual has a theme of resilience and home presented chorally in a call and response format. With considerable flexibility for improvisation, inflections and note bending by the chorus,
The incomparable Uzee Brown has set this dynamic traditional spiritual for tenor-bass voices. Fantastic vocal lines with expansive ranges are supported by a solid piano accompaniment along with solo
This setting of My God Is a Rock is dynamic and challenging while still upholding the authenticity of the spiritual. Texturally captivating and unique in its construction, it features two treble
Incorporating Albert Brumley's I'll Fly Away and the traditional spiritual Now Let Me Fly, this exciting a cappella arrangement for treble choirs offers a sophisticated challenge with