This is an incredibly dynamic newly-composed spiritual with a rhythmic drive that is true to the spiritual and gospel style. This would make a fantastic concert closer for any performance.
Trouble the Water combines three well-loved spirituals: Wade in the Water, I Wanna Die Easy, and Didn't My Lord Deliver Daniel to create an incredibly effective and dynamic work. All of
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Were You There? is a meditation for baritone and chorus written for American baritone Charles Wesley Evans. The piano accompaniment is a transcription of an improvisation by Patrick Dupré Quigley.
This setting of We Shall Overcome, a key anthem of the civil rights movement is both dynamic and well crafted. Great attention has been paid to the construction of the vocals, which throughout the work act
This arrangement of Travelin' Shoes is a driving and unique interpretation. Excellent vocal construction makes for vocal lines that are fun to sing, highly achievable, and will be a dramatic
The second movement from Averitt's collection of four American shape note folk songs and hymns. This upbeat rendition of the American folk hymn features a dynamic four hand piano accompaniment that sets a
This third movement from Averitt's collection of American shape note folk songs and hymns is Let Me Go. Presented in an a cappella setting that retains the style and traditional open harmonic
The fourth and final movement from Averitt's collection of American shape note folk songs and hymns. This setting is presented with a festival style four hand piano accompaniment that establishes a fast and
Freshly arranged, this a cappella setting of the well-known spiritual presents a rhythmic harmonization in an upbeat texture that will appeal to better choirs. The integrity of the spiritual is upheld,
"Over my head I hear music in the air, there must be a God somewhere." The traditional spiritual is a mix of hopeful lyrics about the future, despite our current afflictions. Arranged for mature tenor-bass
An extended introduction hints at the excitement to come with melodic fragments and original material that erupt into a rhythmic and driving setting of this well-loved Spiritual. Fun to sing, with
Robert T. Gibson's fantastic arrangement of This Little Light of Mine will appeal to many levels of treble choruses. Singable and skillfully arranged, this setting is fun, exciting, and captures
A thoughtful and simply constructed arrangement of this well-known spiritual that highlights the historical integrity of the song. A sense of urgency is apparent through the build-up of textures and
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