Embrace this fun-to-sing bluegrass arrangement of the old gospel song for mixed or tenor-bass choirs. It may be performed with piano and fiddle or with a full bluegrass band – the fiddle part is
This fantastic stylized arrangement will appeal to choirs at many levels. Singable and skillfully arranged, this setting is fun, exciting, and captures the gentle joy of this spiritual. The piano
True to Carter's style, this traditional spiritual is set with integrity and care, presented here in a beautifully engraved edition. Wonderful part-writing is brought to life by a featured solo soaring
"What will I do with the portion given to me? I will sing." This fantastic work, written in a gospel style with an ecumenical text that challenges each of us to make the most of the lives we've been given,
Featuring either a mezzo-soprano or baritone soloist, this classic a cappella arrangement of the beloved gospel song is a gem for mature choirs.
A statement of faith through the voice of the enslaved, this straightforward and effective setting will resonate with treble choirs at varying levels.
This stylized gospel arrangement of the traditional spiritual features an innovative piano accompaniment and fun vocals suitable for treble choirs at all levels.
Choirs have loved and performed Carter's classic a cappella arrangement of this traditional spiritual throughout the years. Preserved and now available in a newly engraved version, it can continue to be
Choirs have loved and performed Carter's classic arrangement of this traditional spiritual throughout the years. Preserved and now available in a newly engraved version, it can continue to be enjoyed for
A longtime choral festival favorite, Carter's classic a cappella setting of this traditional spiritual features a tenor or soprano soloist throughout in a crowd-pleasing arrangement that is well known and
Carter's classic arrangement of this traditional spiritual has been known and performed for many years. Now available in a newly engraved version, choirs can enjoy this setting for years to come.
Carter's classic arrangement of this traditional spiritual has been performed for many years. Now available in a newly engraved version, choirs can enjoy this setting for years to come.
This work song portrays the conditions in which African Americans found themselves living and working during the Reconstruction era in the post-Civil War South. This incredibly dynamic work is written in a
"Hold on just a little while longer... ev'rything will be all right." The traditional spiritual text encourages us to keep going, no matter how difficult the struggle may be. This original musical setting
Roland Carter's arrangement is the absolute standard for this classic anthem of the civil rights movement, which has also become known as the unofficial Black American National Anthem. James Weldon
"Over my head I hear music in the air, there must be a God somewhere." The traditional spiritual is a mix of hopeful lyrics about the future, despite our current afflictions. This setting brings an exciting
This driving arrangement mashes up two iconic melodies: Give Me Oil in My Lamp and Swing Low. This work is accessible while still being meaningful and fun to sing, with a message of joy
From two very important composers of our time, the lyrics in this monumental work challenge ideas of racism and discrimination, while the music combines jazz and traditional choral techniques. No
This is an incredibly dynamic newly-composed spiritual with a rhythmic drive that is true to the spiritual and gospel style. This would make a fantastic concert closer for any performance.
This classic and timeless arrangement is smooth, flowing, and richly harmonized, offering a chance for an outstanding mezzo-soprano soloist to shine.
Trouble the Water combines three well-loved spirituals - Wade in the Water; I Wanna Die Easy and Didn't My Lord Deliver Daniel? - to create an incredibly effective and dynamic
This setting builds from melancholy reflection to an outpouring of joy, with tempo changes, solo fragments, a little divisi, and some rhythmic diversity along the way. Some extended vocal lines, with quite
This setting of the familiar spiritual Soon I Will Be Done is a complete rethinking of the presentation of this traditional work. While other settings exist, none treat the source material with
This setting of the classic American folk hymn begins with a piano introduction leading to a solo voice singing the first verse in a traditional way. Then as the choir enters, more modern, rhythmic ideas