This traditional spiritual carries in its essence the longing for peace and rest. The bittersweet spirit is front and center in this arrangement enhanced by sensitive part writing, an optional solo, and a
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Opening with a soulful treatment of We Shall Overcome, the work leads into a steady rock version of Lift Every Voice and Sing. This dynamic arrangement is a natural choice for a Martin
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Rich choral textures and a warm harmonic palette enhance the emotion and audience appeal of this popular spiritual arrangement. There are a few short sections with divisi, but singers should find the vocal
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The arranger's style is evident in every measure of this extraordinary gospel-rock setting! With a good mix of unison, two-part and fully voiced chorals, easy-to-feel syncopations, and a supportive piano
Dry Bones has never been this much fun! Mark begins by telling the story of Ezekiel's vision with his own original lyrics. Wonderful changes in feeling, sometimes dramatic, sometimes rhythmic, make
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Charged with gospel-style excitement, this traditional spiritual comes alive with energy and style. A powerful chorus, hand claps, a stacked vocal section and a key change build to a big ending that is sure
Incorporating the spirituals Oh, What a Beautiful City and In Bright Mansions Above, this extraordinary work creates a poignant musical image of heaven. This is choral writing at its
The traditional spiritual is partnered with Amazing Grace and complemented with a rollicking gospel-style four-hand piano part. The result is a wonderful arrangement that's both fun and rich - a
In the battles and trials of life, we are not to weep, but instead "stand on the Rock where Moses stood!" This storytelling spiritual, set in a dynamic blues-gospel style, brings a message of
Nominated for Song of the Year for the 1995 Dove Awards and recorded by the Brooklyn Tabernacle Choir, this choral setting will give your choir the opportunity to sing an authentic gospel piece in an
Here's a superb choral arrangement of this classic spiritual! It opens with a choral fanfare-like section and progresses through several swinging sections to a climactic finish. This is Mark Hayes at his
This gospel/jazz song is best known for the 1967 Nina Simone recording. It makes a wonderful choral showcase, testifying to the longing for freedom and justice for all people.
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Once the gospel swing gets started, it just never lets up in this powerful selection that is a dynamic musical statement for today's choirs. Its 9/8 meter coupled with an expressive, hopeful text is