Texas UIL Choral Tenor/Bass Grade 4

Supported throughout with an original Pater Noster countermelody, this tender adaptation of this beloved hymn features a gorgeous optional cello obbligato and a flowing piano accompaniment. Simple Latin

Limited ranges, repeated sections, and creative choral arranging ensure success with this Victor Johnson favorite. This longtime bestseller features percussion parts for sticks, shaker, bongo or African

Your men will enjoy learning and performing this accessible arrangement of the favorite spiritual. Precise articulation of the text, dynamics, and rhythmic figures will make your students better singers.

For mixed, treble, and tenor-bass choirs, these transcriptions of this famous Schubert song offer the perfect material for teaching free, bel canto-style singing, German diction, and "arch and taper"

Attributed to the Franco-Flemish Renaissance composer Jacob Arcadelt, this a cappella work for men's voices will be a joy to rehearse and perform. Not difficult, this is excellent serious literature for

Rarely, if ever, have the words and music of this folk song been so beautifully merged that both love and despair are both heard and felt. A wonderful baritone solo opens and closes the piece, and the

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

Tenor-Bass choirs will sound fantastic with this vigorous sea chantey. It offers a rousing chorus, tongue-in-cheek humor and well-crafted vocal and piano parts.

This heart-pounding setting of the Dies Irae is becoming a favorite at festivals and honor choirs. Driving rhythms overlap with flowing lines to create a piece that is easy to learn and impressive in

Mozart's lyric and energetic writing prevails in this handsome selection. Originally accompanied by orchestra, this edition uses piano and clarinet which work wonderfully. The piece salutes the soul and the

This powerful, flowing a cappella work in Latin opens with a beautiful unison chant and closes with a quiet "Amen." It is infused with interesting and varied harmonies, changing meter, and dramatic

A cry for peace in a world torn by war, this poignant a cappella setting of an original text is filled with striking dynamic contrasts. "Sing, Be, Live, See... This dark stormy hour, the wind, it stirs. The

"All we are we have found in song" is the first line of this stunningly beautiful poem by Euan Tait, set to music by Norwegian composer Kim Andre Arnesen.  This romantic notion is woven throughout