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Highly expressive though transparent and comprehensible music with strict compositional technique. A demanding task for advanced string orchestras. I Langsam - II Langsam; Schnell - III Lebhaft - IV Sehr
Adler was asked to write a short work based upon one of ten sketches that Bach had prepared, but never used, for the Goldberg Variations. The resulting In the Spirit of Bach features "a
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Expressing the many different moods and events of a storm, the opening begins with the violins playing a gripping ostinato pattern suggesting that a storm is coming. The first two themes convey the erratic
Bela Bartok’s well-known suite of six short pieces, composed in 1915. First composed for piano, Bartok later orchestrated the suite for small ensemble in 1917. String
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