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This fun vocal-jazz piece "talks" about the stylistic jazz vocal idiom. Based on the twelve-bar blues form, it offers variety and flexibility to sing call-and-response and written-out scat solos, all
Developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song written in the 1930s, but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
Here is an original jazz suite that is perfectly suited to treble choirs or developing mixed groups in middle school and high school. The lyrics for all three songs are about the joy and fun of singing and
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