Originally performed by Fred Astaire and Ginger Rogers in the classic movie "Shall We Dance," this bubbly Gershwin tune has enjoyed a recent resurgence. Full of charm and wit, the arrangement sparkles with
Bing Crosby, Nat King Cole and Harry Connick Jr. are just a few of the artists who have recorded this showtune-turned-standard from "My Fair Lady". Buoyant syncopations lightly swing through sweet a
"Look out, old Mackie is back!" Famously covered by the likes of Louis Armstrong, Bobby Darin, and Frank Sinatra, this song has become one of the best-known jazz standards of the 20th century. This
This fun tune was premiered by jazz legend Louis Armstrong and nominated for an Academy Award in 1938. The lighthearted, innocently flirtatious song has since become an iconic jazz standard. This fantastic
A minimum quantity of 5 is required on this title.
This seamless four minute tour pays tribute to the American songwriting team of George and Ira Gershwin. Smart voice leading and classic choral arranging techniques remain faithful to the cherished melodies
This well-crafted arrangement is true to Johnny Mercer's original idea while still being fresh and new. A rubato section in straight eighths opens this rich a cappella setting before breaking into a
This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting
A gentle harmonic texture opens this a cappella rendition of the tender jazz standard with the memorable refrain. Then, the toe-tappin' swingin' second verse picks up the tempo and blossoms into the final
This tasteful setting of a little-known gem by George Gershwin is a great piece for introducing vocal jazz to concert choirs. Featuring expressive phrases and lush choral harmonies, this poignant
A fast swing intro punctuated by piano, bass, drums, and finger snaps leads into a jazzy arrangement of the traditional spiritual unlike any you've ever heard. The choral parts are fun to sing with scoops,
A Cole Porter standard that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement perfect
Van Morrison's classic jazz-infused song, which barely charted when it was released, has lived a new life and is now the most frequently played song when the "Belfast Cowboy" performs. The jazzy choral
A modern a cappella setting of the 1961 classic song from Rodgers & Hart. With some divisi throughout, this piece gives an incredible opportunity to teach musicality, balance and blend for your mixed
Although it doesn't appear in the original 1939 film, this number from "The Wizard of Oz" is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many
A charming swing-infused standard, first published in 1924, that has been recorded by a wide variety of hit-makers including Ray Charles, Tony Bennett, Michael Buble and Carrie Underwood. Perfect for school
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
Well-crafted choral writing with an unending rhythmic drive propels this spectacular arrangement from beginning to end. Recording provided by GLAD.
One of the most touching Gershwin love songs, written in 1930, this standard continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups.
This beautiful blues ballad appeared on the Billboard Hot 100 chart in 1963, a bit surprising since it was written in 1945! Tight choral harmony and a subtle accompaniment make this sad tale come alive.
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film "Pete Kelly's Blues." She would eventually record it six years later, but in the meantime, a
First heard in 1925, this jazz standard still swings. It's a blast for serious vocal jazz groups, well worth the effort!
BE THE FIRST TO KNOW
Sign up for emails to stay informed about the best new music, events, and everything you need for the upcoming season.