Bing Crosby, Nat King Cole and Harry Connick Jr. are just a few of the artists who have recorded this showtune-turned-standard from "My Fair Lady". Buoyant syncopations lightly swing through sweet a
Here is a powerful ballad from Broadway musical "Jekyll and Hyde", arranged for a cappella choirs. A modern concert setting that is both jazz-infused and classic, this lovely arrangement is an emotional
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You may not recognize the band or the title, but you'll definitely recognize this song! Seventies rock group Average White Band was full of funk and R&B soul. This a cappella arrangement of their
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This is an easygoing swing arrangement of a song originally recorded by Marvin Gaye and later made popular by James Taylor. This a cappella setting is fun to sing with vocables and the option to feature a
This iconic film theme gets a jazzy contemporary vocal treatment that will make a satisfying challenge for advanced choirs. Notated vocal percussion adds to the rich choral texture while the feel alternates
This swingin' contemporary a cappella setting of the Stevie Wonder funk hit is a great message of second chances delivered in a terrific arrangement. "I'm so glad that I know more than I knew then, gonna
This iconic pop song, performed by Louis Armstrong, but covered by countless artists from all musical genres, is presented in a lush vocal jazz arrangement that stays true to the original. There are
This well-crafted arrangement is true to Johnny Mercer's original idea while still being fresh and new. A rubato section in straight eighths opens this rich a cappella setting before breaking into a
A gentle harmonic texture opens this a cappella rendition of the tender jazz standard with the memorable refrain. Then, the toe-tappin' swingin' second verse picks up the tempo and blossoms into the final
Toto's classic rock tune has been reenvisioned in a contemporary a cappella vocal jazz setting with vocal percussion, tight harmonies, scat syllables, and plenty of pizzazz. Extended ranges, exciting
This is like one big jazz scat based around the title line. The three words are used to embrace the joy of music making and the joyful affirmation of life. Similar to Jasperse's Voice
"For all we know, we may never meet again. Before you go, make this moment sweet again..." This tender vocal jazz ballad is expertly arranged for unaccompanied voices to show your group at its best. A
The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
A Cole Porter standard that has been recorded by a multitude of performers including Billie Holiday, Frank Sinatra, and Ella Fitzgerald. Vocal jazz lovers will enjoy this rich a cappella arrangement perfect
A modern a cappella setting of the 1961 classic song from Rodgers & Hart. With some divisi throughout, this piece gives an incredible opportunity to teach musicality, balance and blend for your mixed
For over seven decades, this song, written during World War II, has held an emotional connection with music lovers for its nostalgic longing for happier times. This a cappella setting offers opportunities
This is a classic a cappella Kirby Shaw setting of a Gershwin ballad. Love Is Here to Stay appeared, perhaps most memorably, in the 1951 MGM picture "An American in Paris," for which it served as
"It doesn't matter much how old I grow, I hate to see October go." A cappella choirs will enjoy the lush jazz harmonies in this tasteful arrangement of Barry Manilow's 1985 hit. Impeccable voice leading and
With sensitive lyrics by Alan and Marilyn Bergman, this ballad, popularized by Rosemary Clooney, lends itself well to beginning vocal jazz groups. The melody moves seamlessly from the choir to a featured
Smooth and delicious are the words to describe this a cappella jazz setting of the Cole Porter standard. A delicate opening "oo" section gives way to a unison statement of the melody before melting into
"Once upon a time a boy with moonlight in his eyes..." This rich a cappella setting of the love ballad from the 1962 show "All American" is equally appropriate for jazz, show, and concert choirs. "...but
Well-crafted choral writing with an unending rhythmic drive propels this spectacular arrangement from beginning to end. Recording provided by GLAD.
This challenging a cappella arrangement captures all the energy and pizzazz of Duke Ellington's original. It opens with the seldom-heard verse, in rubato tempo; then the bright swing tempo kicks in and it's
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