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Vocal Jazz Choir Music (176)
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Choral ››  Vocal Jazz Choir Music (176)
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They All Laughed
They All Laughed They All Laughed
George Gershwin & Ira Gershwin/arr. Mark Hayes - Alfred Music Publishing
Editors Choice Selection

Originally performed by Fred Astaire and Ginger Rogers in the classic movie "Shall We Dance," this bubbly Gershwin tune has enjoyed a recent resurgence. Full of charm and wit, the arrangement sparkles with

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Mack the Knife
Mack the Knife Mack the Knife (from "The Threepenny Opera")
Kurt Weill/arr. Mark Hayes - Alfred Music Publishing

"Look out, old Mackie is back!" Famously covered by the likes of Louis Armstrong, Bobby Darin, and Frank Sinatra, this song has become one of the best-known jazz standards of the 20th century. This

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Jeepers Creepers
Jeepers Creepers Jeepers Creepers
Harry Warren/arr. Jay Althouse - Alfred Music Publishing
Editors Choice Selection

This fun tune was premiered by jazz legend Louis Armstrong and nominated for an Academy Award in 1938. The lighthearted, innocently flirtatious song has since become an iconic jazz standard. This fantastic

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I Got Gershwin!
I Got Gershwin! I Got Gershwin!
George Gershwin & Ira Gershwin/arr. Adam Podd & Matt Podd - Alfred Music Publishing
Editors Choice Selection

This seamless four minute tour pays tribute to the American songwriting team of George and Ira Gershwin. Smart voice leading and classic choral arranging techniques remain faithful to the cherished melodies

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Cuppa Cappuccino
Cuppa Cappuccino Cuppa Cappuccino
Andy Beck - Alfred Music Publishing
Editors Choice Selection

Frothy fun for caffeine lovers everywhere! From the swingin’ echoed phrases of the catchy chorus to the tasty "with extra foam" ending, this creative chart is equal parts education and fun. Extend the

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Virtual Insanity
Virtual Insanity Virtual Insanity
Jamiroquai
Jason Kay & Toby Smith/arr. Mark Brymer - Hal Leonard Corporation

Released with an award-winning and positively groundbreaking music video, this late-'90s gem from British jazz-funk band Jamiroquai hasn't aged a day. The text is more relevant than ever, warning of

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My Funny Valentine
My Funny Valentine My Funny Valentine (from "Babes in Arms")
Richard Rodgers/arr. Mac Huff - Hal Leonard Corporation

This classic tune from Rodgers and Hart's "Babes in Arms" has become a standard in the Great American Songbook. Covered by numerous jazz, pop, traditional, and Broadway singers, this love song with the

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Oye Como Va
Oye Como Va Oye Como Va
Santana
Tito Puente/arr. Kirby Shaw - Hal Leonard Corporation
Editors Choice Selection

This arrangement is hot, hot, hot! The classic Latin jazz song by the great Tito Puente was rocked out in Carlos Santana's ultra-popular 1970 recording. There is a very cool stacking section of choral

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Honeysuckle Rose
Honeysuckle Rose Honeysuckle Rose
Thomas "Fats" Waller/arr. Darmon Meader - Hal Leonard Corporation
Editors Choice Selection

This Fats Waller song from "Ain't Misbehavin'" is a standard in both the American popular song and jazz idioms. New York Voices mastermind Darmon Meader has created a juicy arrangement that evokes just the

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I'm Happy Just to Dance with You
I'm Happy Just to Dance with You I'm Happy Just to Dance with You
The Beatles
John Lennon & Paul McCartney/arr. Kirby Shaw - Hal Leonard Corporation

Written for the soundtrack to the Beatles movie "A Hard Day's Night," this upbeat song is as fresh today as it was in 1964. This arrangement uses well-written choral harmonies and a bossa nova feel to

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James Bond Theme
James Bond Theme James Bond Theme
Monty Norman/arr. Alan Billingsley - Hal Leonard Corporation
Editors Choice Selection

This iconic film theme gets a jazzy contemporary vocal treatment that will make a satisfying challenge for advanced choirs. Notated vocal percussion adds to the rich choral texture while the feel alternates

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I'll Be Seeing You
I'll Be Seeing You I'll Be Seeing You
Frank Sinatra
Irving Kahal & Sammy Fain/arr. Kirby Shaw - Hal Leonard Corporation

This American standard has been covered by iconic singers including Billie Holiday, Bing Crosby, and Frank Sinatra. This fresh, up-tempo swing setting makes use of scat syllables, fall-offs, and other

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Jump 'n' Boogie
Jump 'n' Boogie Jump 'n' Boogie (Medley)
arr. Kirby Shaw - Hal Leonard Corporation
Editors Choice Selection

Raise the roof with this terrific medley of classic big-band swing tunes. This arrangement includes The Joint Is Jumpin'; Bandstand Boogie and Jump, Jive an'

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High Hopes
High Hopes High Hopes
Frank Sinatra
James Van Heusen/arr. Ed Lojeski - Hal Leonard Corporation
Editors Choice Selection

This Oscar-winning standard made popular by Frank Sinatra is a song about the power of positive thinking. This jazzy arrangement in a light swing feel has nicely written harmonies with plenty of vocal

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At Last
At Last At Last
Etta James
Harry Warren/arr. Mac Huff - Hal Leonard Corporation

This arrangement of the classic 1940s song, made famous by rhythm and blues singer Etta James, provides an opportunity to feature a strong soloist. Jazz-flavored harmonies and a solid instrumental track add

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$26.99
Every Day I Have the Blues
Every Day I Have the Blues Every Day I Have the Blues
Peter Chatman/arr. Kirby Shaw - Hal Leonard Corporation
Editors Choice Selection

This blues standard has been recorded by legends like B.B. King and Joe Williams. This swinging arrangement for developing choirs has moderate ranges and a vocal "stack" section with optional repeats to

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A Day in the Life of a Fool
A Day in the Life of a Fool A Day in the Life of a Fool (Manha de Carnaval)
Luiz Bonfa/arr. Kirby Shaw - Hal Leonard Corporation
Editors Choice Selection

This arrangement of one of the most popular bossa nova songs of all time stays true to the style, with plenty of jazz harmonies and a smooth groove. Accented by the piano part and optional instrumental

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Falling in Love with Love
Falling in Love with Love Falling in Love with Love (with This Can't Be Love)
Richard Rodgers/arr. Kirby Shaw - Hal Leonard Corporation
Editors Choice Selection

In an easy swing style, this arrangement combines Falling in Love with Love and This Can't Be Love, both from the Rodgers and Hart musical "The Boys from Syracuse."

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'Round Midnight
'Round Midnight 'Round Midnight
Thelonius Monk & Cootie Williams/arr. Ed Lojeski - Hal Leonard Corporation

This jazz standard made famous by Thelonious Monk is sophisticated and nostalgic. It has been famously covered by more artists than can be counted, both vocally and instrumentally. Chromatic melodies and

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Jazzy Ol' Mac!
Jazzy Ol' Mac! Jazzy Ol' Mac!
arr. Kirby Shaw - Shawnee Press
Editors Choice Selection

Old MacDonald takes on a jazzy feel in this selection for developing choirs. "E-I-E-I-O" becomes a scat section that allows for echoing, vocal improvisation, and solo opportunities. This cute and

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Sister Sadie
Sister Sadie Sister Sadie
Horace Silver/arr. Paris Rutherford - Hal Leonard Corporation

Here is a hard-driving standard that features both your jazz combo and your choir. An extended introduction is a full one time through the form before unison chorals present the melody. A choral scat

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The Look of Love
The Look of Love The Look of Love
Hal David & Burt Bacharach/arr. Paris Rutherford - Hal Leonard Corporation
Editors Choice Selection

The theme song from the 1967 James Bond spoof "Casino Royale" has been covered countless times and continues to speak to contemporary singers and audiences. Wonderful, accessible jazz stylings have been

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A Night in Tunisia
A Night in Tunisia A Night in Tunisia
John "Dizzy" Gillespie & Frank Paparelli/arr. Paris Rutherford - Hal Leonard Corporation

This jazz standard is arranged using an alternative Latin swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat section. This is an important song from the

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Moonlight in Vermont
Moonlight in Vermont Moonlight in Vermont
John Blackburn & Karl Suessdorf/arr. Darmon Meader - Hal Leonard Corporation
Editors Choice Selection

Lush, warm contemporary jazz harmonies define this arrangement, with each vocal line featured as if they were soloists. Chord symbols are included for the accomplished jazz pianist, but the realized piano

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