Developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song written in the 1930s, but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
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This fun vocal-jazz piece "talks" about the stylistic jazz vocal idiom. Based on the twelve-bar blues form, it offers variety and flexibility to sing call-and-response and written-out scat solos, all
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