A Broadway standard for generations, this show tune from "Guys and Dolls" brims with playful longing with its charming depiction of the thrill of love's possibilities. Lively, jazzy, and fresh, the clever
Performed by singers like Ella Fitzgerald, Duke Ellington, Frank Sinatra, and more, the lighthearted lyrics of this familiar standard remind us that smiling is contagious. With plenty of unison and jazz
"Flash! Bam! Alakazam!" Vocal jazzers will love the fall-offs, slides, tight harmonies, and rapid-fire triplets in this arrangement of the Great American Songbook standard. Two brief notated solos sound
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Set in a easy swing style, this classic tune from Mister (Fred) Rogers is presented in an arrangement that your jazz or concert choir will love. The music from Mr. Rogers' Neighborhood is both iconic and
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Jon Batiste's cover of the 1963 Impressions hit in Disney/Pixar's "Soul" brings this early Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and a feel-good vibe, this
"As long as I'm singing, the world is mighty fine." Here is an upbeat, driving song from the big band era that rings out the message of the importance of singing. Classic jazz harmonies for the singers and
This sizzling-hot arrangement will appeal to jazz and show choirs, and audiences will love it! In an upbeat swing, this toe-tapper has a fully notated layered choral scat section to provide contrast. Add
This arrangement is hot, hot, hot! The classic Latin jazz song by the great Tito Puente was rocked out in Carlos Santana's ultra-popular 1970 recording. There is a very cool stacking section of choral
Raise the roof with this terrific medley of classic big-band swing tunes. This arrangement includes The Joint Is Jumpin'; Bandstand Boogie and Jump, Jive an'
In an easy swing style, this arrangement combines Falling in Love with Love and This Can't Be Love, both from the Rodgers and Hart musical "The Boys from Syracuse."
This arrangement of one of the most popular bossa nova songs of all time stays true to the style, with plenty of jazz harmonies and a smooth groove. Accented by the piano part and optional instrumental
Originally performed by Fred Astaire and Ginger Rogers in the classic movie "Shall We Dance," this bubbly Gershwin tune has enjoyed a recent resurgence. Full of charm and wit, the arrangement sparkles with
This Duke Ellington number was featured in "Sophisticated Ladies," the musical revue celebrating the life and music of the great bandleader. A slinky bass sets up the intro just before this swingin' setting
This tasteful setting of a little-known gem by George Gershwin is a great piece for introducing vocal jazz to concert choirs. Featuring expressive phrases and lush choral harmonies, this poignant
This well-crafted arrangement is true to Johnny Mercer's original idea while still being fresh and new. A rubato section in straight eighths opens this rich a cappella setting before breaking into a
Jazz and pop groups will enjoy bringing a jazzy samba setting of this beloved standard to their audiences. A fresh treatment and excellent change of pace that really grooves!
One of the most performed and recorded songs ever, this classic jazz standard is a winning choice for jazz, pop and concert choirs. Luscious choral harmonies and an outstanding track and instrumental parts
This gorgeous vocal jazz arrangement combines Autumn Leaves with When October Goes in an artful setting that is unified both textually and musically. The sumptuous choral harmonies and
This show tune has appealed to jazz musicians ever since it was first heard in "Finian's Rainbow," and it still swings! "I look at you and suddenly, something in your eyes I see, soon begins bewitching me.
Heartfelt lyrics, rich harmonies and a smoldering slow swing tempo make this a fine choice for a vocal jazz ballad. Tastefully arranged, this piece is great for building phrasing and blend!
Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm, flugelhorn and flute. "Blue days, all of them gone.
Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment for pop and jazz groups. With solo spots, cascading vocal phrases, and a contemporary keyboard part, this is creative jazz
Here is one of the most famous tunes from the big band era in a contemporary vocal jazz/show choir setting. This is an extraordinary feature, especially when you use the hot horns-and-rhythm backup on the
This tune was a big hit for Glenn Miller, and recently for The Manhattan Transfer. Kirby Shaw's arrangement is not difficult, with just the right amount of written-out scat singing. There's a chorus of,