This collection of a cappella jazz standards delivers plenty of musical flair at a value! Perform these pop and jazz classics with your concert choir, or use as a curriculum with your vocal jazz group. And
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Deke Sharon and J.D. Frizzell have provided a wide array of warm-ups specifically designed for pop and jazz choirs that will also work well for contemporary a cappella groups. There are over 39 creative
Your singers will love developing style and technique while performing this jazz arrangement of the famous Harold Arlen/Johnny Mercer song. Includes a fun, notated scat section and authentic piano
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The beautiful simplicity of the timeless melody is further enhanced by lush chord changes and tasteful phrasing in this a cappella arrangement. This classic standard from the Kern and Hammerstein musical
In the Jazz Explorations series for developing jazz choirs, this whimsical song from Simon & Garfunkel is a perfect introduction to style, technique and blend.
A wonderful choice to expose younger choirs to elements of vocal jazz style in this swingin' tune by Louis Prima. With a careful approach to voice leading, range, jazz rhythms and even notated simple scat
Hot horns and vocals make this Latin standard into an incredible feature for jazz and show choirs. With opportunities for solos, and great instrumentals, this chart will be a fun change of pace for your
Developing mixed and treble choirs will enjoy performing this jazz inflected doo-wop song written in the 1930s, but made popular in 1961 by the Marcels. With careful attention to range and voice-leading,
A perfect introduction to vocal jazz, this Irving Berlin classic gets an updated treatment that's great for developing style with your treble choirs. It really swings!
Get your boogie down with this 1980s classic by Al Jarreau - it has a funky feel that still grooves! Great solo opportunities and vocal riffs make it a super feature for pop, jazz and show choirs!
Here is a swinging arrangement of the great American standard in a style reminiscent of the Count Basie big bands of the 1950s. Opening in a spare style with unison vocals over a bass line, the texture
Develop intonation, blend, rhythm, and solo techniques with this vocal jazz setting of a song originally made famous by Petula Clark in 1965. Solo opportunities, including a written-out scat solo, and parts
A Duke Ellington Latin jazz classic in this Afro-Cuban setting, this song is an energetic selection that will make your choir and audience want to move their feet! Fun and rewarding for your group to
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