Opera Arias, Vocal Scores and Solo Collections

A repertoire anthology of opera arias from roles specific to the dramatic bass, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects

This collection contains the pieces performed by the great Italian tenor in the biopic film "Pavarotti" directed by Ron Howard, which was released in June 2019. The tracklist is composed by 23 titles,

For baritone & piano. This edition contains the great monologues, arias and ariettas that Rameau wrote for basse-taille (the 18th-century equivalent of today's baritone). The volume, which contains a

A repertoire anthology of opera arias from roles specific to the tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

A repertoire anthology of opera arias from roles specific to the dramatic-coloratura soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

A repertoire anthology of opera arias from roles specific to the dramatic soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

Pasatieri's 18-minute monodrama draws its text from the monologues of Shakespeare's Macbeth. Heartfelt, dramatic, and at times artfully atonal, Pasatieri brings the words of Shakespeare

A repertoire anthology of opera arias from roles specific to the lyric baritone, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling

Young Thompson was captured as a POW in the Vietnam War. Now, as Old Thompson, he sings the Catalogue Aria after receiving a letter from Richard Nixon which warns that he might find some

A repertoire anthology of opera arias from roles specific to the alto, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

The Bride of the Moor is a monodrama for soprano and piano by Thomas Pastieri, celebrated composer of many operas that have become standard repertoire. Following The Daughter of

Edited by Benoit Dratwicki, Julien Dubruque & Sylvie Bouissou. This volume contains the second half of the great monologues, arias and ariettas that Rameau wrote for haute contre, and which are sung

Edited by Benoit Dratwicki, Julien Dubruque & Sylvie Bouissou. For soprano & mezzo-soprano. Like Volume 1, Volume 2 contains the lyric soprano parts for the main characters.  Vocal solo

Following his recent series of monodramas setting Shakespeare's scenes and soliloquys, Thomas Pasatieri continues with Antony and Cleopatra. Scored for soprano, baritone and piano, the

Though known primarily as a composer of lieder, Schubert's operas and Singspiele were composed concurrently and express many of the same musical characteristics as his famous art songs. This

This anthology contains French arias for lyric or dramatic soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. The edition includes an informative

Nicklausse's famous violin aria from the third act of "Les Contes d’Hoffmann" (The Tales of Hoffmann) by Jacques Offenbach is now available in a separate edition. It includes a vocal score as well as

Volume 3 contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether he is an ardent lover or a tragic hero, he

Edited by Sylvie Bouissou, Benoit Dratwicki and Julien Dubruque. For soprano. This volume includes selections from: Nais, La Naissance d'Osiris, Les Paladins, Platee, La Princesse de Navarre, les Surprises