Springing from the words of Martin Luther, this newly composed anthem uses mostly unison and two-part writing in the verses, opening up to richer four-part writing in the refrains. The piano accompaniment

Pure Christmas joy is felt by the moving statement of voices a cappella in this tender offering to the infant King. This contemporary song by Michael W. Smith is heard here in a graceful arrangement. It is

This splendid anthem from Michael W. Smith's that has all the makings of a holiday classic, capturing the deep emotion felt on the journey to Bethlehem. Smartly arranged for choir, the expressive melody and

Now with an SAB voicing, this great blues-swing style arrangement by Mary McDonald creatively combines two familiar spirituals: Amen! and Go, Tell It on the Mountain. There are many

The gentle, patient melody of this composition underscores its advent themes of preparation for the Nativity: hope, glad tidings for the poor, and the coming reign of God's justice. The SATB choral parts

Lush melodic writing characterizes this original Christmas anthem, offering a thoughtful choice for worship or concert settings. The mystery of Emmanuel is center stage in message and the music, and the

"There is no name like the name of Jesus." The charming traditional carol Still, Still, Still threads through the introduction, interludes, and close, complementing the original music and text.

The 19th-century poet Philips Brooks was inspired on his journey to the Holy Land when he traveled to the town of Bethlehem one Christmas Eve. It became the basis of his famous poem O Little Town of

It is refreshing to find a carol that has not been overused. This choral tour de force overflows with seasonal joy and makes a sparkling addition to any Christmas service or holiday concert. Brief yet

Everyone  will love this Patti Drennan original that's perfect for the elementary choir! There is an option for bells, tambourine and conga drum, and Orff instruments could be used as well.

A lesser-known Christina Rossetti Christmas poem is brought to life in this engaging anthem. An expressive theme rises and falls, delivering this classic poetry with great sensitivity. Each verse ends with

Joy permeates this contemporary praise offering that has been recorded by Chris Tomlin. Emmanuel has come and this song celebrates that truth in a lilting 6/8 with nice rhythmic nuance. Solid choral

The anticipation of the Lamb of God's crucifixion is woven throughout this tender ballad of devotion. The music is simple yet poignant, well crafted and thoughtful. This cradle to cross text is useful year

A message of hope and joy nestles in the heart of this new seasonal anthem. The text is set to a lilting, almost madrigal-style tune in 6/8 that soon surrenders to the famed Good Christians All,

Based on the original Michael W. Smith Christmas song, this celebratory setting is teeming with energy and joy. Arranger Lloyd Larson blends in Angels We Have Heard on High and offers an optional

Charles Wesley's beloved Advent text Come, Thou Long-Expected Jesus is creatively paired with Mozart's Alleluia from "Exsultate, Jubilate." Approachable vocal writing captures the

Perfect for the Christmas season, this powerful ballad invites listeners to come and take part in the story of the baby Jesus, to listen to the angels and watch the Star of Bethlehem fill the night with

With dynamic, rhythmic energy, plus an added tambourine and C instrument, this Christmas anthem builds to the joyful proclamation, "Come and hear the joyful singing, alleluia, gloria!" 

The traditional Renaissance carol tune GENEVAN 42, with its lively metric shifts, is combined with the beloved Advent text Come, Thou Long-Expected Jesus (HYFRYDOL) in this upbeat arrangement.