Perfect for Thanksgiving or at any time of year, this African-inspired song will be fun for children to learn and sing while also teaching an important message. This original song uses a text with Swahili

This magnificent arrangement of ST. GEORGE'S WINDSOR is scored for choir and four-hand piano (optional two-hand). The vocal texture varies by verse, and after an interlude with a key change, the choir is

This jubilant service opener is two anthems in one, with both a general and an alternate Easter text. Blurring the lines between contemporary and traditional, the engaging mixed meter and the syncopations

With a joyful flourish, this fanfare on the traditional OLD HUNDREDTH employs colorful sequencing harmonies and optional orchestration to add majesty to this brief, powerful offering. Chorusing amens rise

This energetic anthem will be the perfect service opener during the Thanksgiving season or any time of the year. Set in a buoyant 6/8, the endearing melody is quickly learned, and the idiomatic piano part

This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the

This anthem includes a refrain that quotes the text and music from the doxology - "Praise Father, Son, and Holy Ghost." The text is general enough to be used throughout the year, but it is especially

If you're looking for something new and fresh for Thanksgiving, Give Thanks and Glorify His Name! is an excellent choice. This piece creates a nice contemporary feel without being a "praise and

This charming original composition is appropriate for Thanksgiving or general use. The jubilant opening and closing sections feature some antiphonal singing, and Now Thank We All Our God is briefly

Richard Nichols has given J. Paul Williams' text a fresh, Celtic-like tune, creating a bright and accessible Thanksgiving anthem. A stanza of We Gather Together in 6/8 is woven seamlessly into the

This anthem gives the well-known praise chorus God Is So Good an exciting spin! Replete with gospel flavor, the fresh music and lyrics combine with a soulful tenor solo to create a joyous

Every choir library needs an anthem like this practical yet expressive setting of Psalm 100. Written with a jubilant, classical spirit, it features nicely sculpted vocal lines with countermelodies that add

This jubilant anthem is inspired by the Book of Psalms and features a unique instrumental pairing of French horn and djembe. The contrasts of punctuated sections to lyrical flowing lines offers interest to

This anthem is written for two part voices and keyboard. The composer suggests that any combination of voices can be used. With its memorable melody and exciting keyboard accompaniment, this anthem will be

With alternating sections of Latin and English text, this fresh setting of Psalm 100 is filled with rhythmic energy and joy. A beautiful lyrical section in the middle contrasts with the upbeat opening and

This jubilant anthem provides tremendous impact with only SAB vocal forces. A lilting and supportive piano part provides a wonderful rhythmic energy for the attractive 6/8 theme. As the choir alternates

A real celebration of singing, this delightful original setting of Psalm 100 easily flows in 6/8 with supportive piano accompaniment. The choral texture features some nice antiphonal entrances and points of

Incorporating All Creatures of Our God and King, this festival anthem pairs the traditional text with an original rhythmic theme. Employing some mixed meter, it drives towards the eventual entrance

Psalm 100 comes to life in this exciting syncopated setting for young choirs with piano and optional trumpet. The lyrical middle section allows voices and vowels to shine before the main melodic idea

This setting of Psalm 100 begins with an organ accompaniment that ascends in triplets. Broad homophonic calls to praise - "Make a joyful noise unto the Lord, all ye lands!" - make room for motet-like,

This setting of Psalm 100 isn't hard to sing but sounds like it is. Part of that is due to the prominent and exuberant organ accompaniment. The composer uses a variety of moods to set the text, creating a