For tuba & orchestra. Commissioned by the Pittsburgh Symphony Orchestra, Royal Scottish National Orchestra, and Curtis Institute of Music. Premiered by Craig Knox and the Pittsburgh Symphony, March

For tuba & piano reduction. Commissioned by the Pittsburgh Symphony Orchestra, Royal Scottish National Orchestra, and Curtis Institute of Music. Premiered by Craig Knox and the Pittsburgh Symphony,

For soprano saxophone & piano. Five movements: Jagged Climb; Nocturne; Blue Hills of Mist; Maze Mechanical and Climb Jagged. Premiered by Taimur Sullivan and Jose Ramon Mendez at

For flute, cello & piano. First printing. Commissioned by Dolce Suono Ensemble. Duration: ca. 15'. Spiral bound score, 44 p. and parts.

For flute quartet. One movement work. Score, 6 p. and parts.

For mezzo soprano, tenor or baritone & piano. This song sets a text by Walt Whitman, from When Lilacs Last in the Dooryard Bloom'd. Spiral bound score, 14 p.

An opera in two acts. Libretto by Gene Scheer, based on the novel of the same name by Charles Frazier. Commissioned by the Sante Fe Opera, Opera Philadelphia, and Minnesota Opera, in collaboration with

For solo vibraphone. One movement work dedicated to Evelyn Glennie. Spiral bound score, 3 p.

For baritone & piano. First printing. Contents: Enlisted Today (author anonymous); All Quiet (Thaddeus Oliver); Lincoln's Final (Abraham Lincoln); The Death of

For soprano, harp & SATB chorus. This piece sets a Christmas-themed text by Christina Rossetti. Choral octavo, 16 p.

For SATB a cappella choir. First printing. One movement work dedicated to the Yale Glee Club. Poem by Jeanne Minahan. Choral octavo, 16 p.

For viola & mid-sized orchestra (piano reduction). First printing. Commissioned by the Library of Congress in honor of Elizabeth Sprague Coolidge on the occasion of the 90th anniversary of the Library's

For soprano, violin, cello & piano.  First printing.  Poems by Amy Lowell.  Contents: Apology; The Giver of Stars; Absence; A Gift and A Fixed Idea.  Duration:

For violin & piano.  First printing.  Commissioned by Hilary Hahn as part of the Encores Project, 2010.  A fast-paced showpiece with melodies which are often syncopated.  One

For clarinet & piano.  First printing.  Dedicated to Ned Rorem on his 90th birthday.  One movement.  Score, 3 p. and part.