This collection of essential flute solo music was selected and edited by legendary flute artist and teacher Sir James Galway. This volume contains these works by Philippe Gaubert: Fantaisie;

This tango was written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many

Edited by the International Clarinet Association's former pedagogy chair Paula Corley, this delightful recital piece for clarinet and piano begins with rubato flourishes in the introduction. The theme is a

Here's a rousing pasadoble, which is a stately Spanish march style arranged for clarinet, piano, and optional castinets by Paula Corley, former Pedagogy Chair for the International Clarinet Association.

This famous concerto, originally for lute, is a great fit for solo viola with a few minor adjustments. With three short movements in the key of D major, this work will delight audiences and gives the

Your more developed orchestras will enjoy playing this fresh arrangement of the popular American folk song at their next spring concert or patriotic event.

This hauntingly beautiful lyrical transcription of a piano composition features syncopated rhythms along with pizzicato, legato, and gentle dynamics. Low first fingering patterns, basses play in half

This very creative theme and variation arrangement of the famous Christmas Carol takes the popular melody through a variety of playing techniques, several key changes, and even a minor mode. An excellent

The last of a collection of 15 sinfonias for clavier, this wonderfully scored arrangement for advanced string orchestra will stretch your players' technical boundaries, teach subdivision, and expand their

Two fun and upbeat Jewish dances sung during the celebration of Hanukkah. Younger string musicians will play a few low first fingers, pizzicato, and simple sixteenth-note rhythms. All sections have

A melody so calming, with such soothing harmonies and lush scoring that you'd think it was a lullaby. An excellent tool to teach about balance, tone, lyrical and ensemble playing as well as overall

Take a scenic journey to Fair Isle off the coast of Northern Scotland with this original string orchestra work. Inspired by Scottish folk music, this slightly dance-like work will help your musicians

Divisi, beautiful counterpoint, a calming melody, and lush harmonies make this gorgeous lyrical work a must-have in your orchestra library. Limited technical demands give your players the ability to focus

This lively and authentic transcription of a work for solo piano begins with a march and then moves into a two-step. Your musicians will learn a variety of 6/8 rhythms as well as develop their skills in

The brilliant work from famed composer Alfred Reed is available here in a flexible format for winds or strings.

A lively sea-shanty style dance for string orchestra and harp with an infectious melody that is passed throughout all sections of the orchestra. This is a wonderful technical challenge in 6/8 that will be

This exceptional arrangement will give more developed string musicians a broader knowledge of the classical repertoire as well as experience with Baroque-style playing techniques.

A fine transcription for concert band originally written for chorus, this is the fourth installment of Robert Russell Bennett's suites for concert band. It features Break Forth, O Beauteous Heavenly

A superlative addition to the concert band literature in a flexible arrangement! This arrangement puts this significant work within reach of many more bands.

This flexible instrumentation arrangement of the rousing concert opener will have young bands sounding immensely impressive. The resounding and attention-grabbing opening fanfare introduces a regal

Engaging and highly accessible to young bands, this original concert march is a great opportunity to teach or reinforce syncopation, dynamics, and articulations as well as accidentals. All sections have

A great reimaging of the Leroy Anderson favorite.