This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest

Originally sung by a bass soloist in Handel's oratorio "Judas Maccabaeus," Arm, Arm Ye Brave is classic solo repertoire that has been skillfully adapted for tenor-bass choir. The arrangement

Here's an invigorating cross-cultural number that will make everyone want to dance! It's a joyful Israeli dance song, incorporating the popular round Toembai. With Hebrew text, lots of "tra la la

Exuding sizzling, rhythmic energy, this traditional South African folk song arrangement is a multicultural programming winner! A cappella, with percussion parts included for shakers, djembe, and hand drum

Loaded with excitement, this setting taken from Shakespeare’s famous "The Tempest" will have audiences both entertained

Vibrant rhythms, accessible vocal ranges, and fun-to-sing syncopated melodies highlight this concert or festival selection for developing tenor-bass choirs. A 6/8 lilting meter and Latin text (pronunciation

Ella Wheeler Wilcox's poem suggests that the bird of hope not soar too high or sing too loud. Taking heed, the composer created much downward movement in the piano accompaniment, while allowing the singers

Here is an exuberant a cappella number that's loaded with African atmosphere! The traditional Zambian words are sung throughout with such a buoyant, rhythmic feel that you are transported into the center of

Sizzling with celebratory rhythmic energy, this Zambian folk song loosely translates as: "Those who sing have the right to be called the children of God." The only accompanying instruments are hand drum

Now available for mixed, treble, or male choirs, this original work contains lyric, legato vocal lines which unfold to reveal a subtle interplay between voices, interwoven with piano and an optional