An important part of core literature for concert band, this three-movement suite treats traditional melodies with remarkable originality and subtle charm. The movements are titled March: Seventeen Come

The finale from Act One of Copland's opera "The Tender Land" is gorgeously transcribed here in a noble anthem-like setting. It opens with a cantabile flute solo, delicately supported by horn, clarinet and

Following the success of his previous works, the composer has lent his skills in adapting another of his well-known choral works for winds. The densely scored and richly textured material of the original

Written in 1905, this exceptional suite, based on English folk songs, is every bit as important and masterful as Holst's First Suite in E Flat. Together, these two works provide critically important

Beautifully arranged by J. Eric Wilson along with the composer, this version for wind band maintains all the wonder and magic of the original choral work. The opening is ethereal and somber, with sustained

A very deservedly popular composition consisting of five contrasting variations on a lyrical Korean folk song. Stated first in unison by the woodwinds, the material is brilliantly explored and developed.