Utilizing a Brazilian folk song and three separate countermelodies, this delightful piece is full of good humor! The rhythm and melody capture the flavor of the Brazilian culture, and tambourine, maracas,

Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking

This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest

A perennial festival favorite, this tender Appalachian folk melody is given an artistic setting and wonderful piano accompaniment all the while maintaining the traditional folk flavor of the song. Not to be

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

Premiered at Lincoln Center, this exciting mixed-meter festival piece features both Latin and English versions of Psalm 130. Somewhat reminiscent of Carl Orff's "Carmina Burana," it is truly a striking

This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.

"All we are we have found in song" is the first line of this stunningly beautiful poem by Euan Tait, set to music by Norwegian composer Kim Andre Arnesen.  This romantic notion is woven throughout

Part of The King's Singers choral series, this entertaining arrangement gives an added dimension to the well known Shaker tune. Bob Chilcott's lyric counterlines are sophisticated and fun for both mixed and

This stunning piece is based on a simple poem by Robert Richardson, inscribed on the headstone of the daughter of Samuel Clemens (Mark Twain), who died in her youth.  Appropriate for any memorial

"I loved you, and perhaps I love you still..." Powerful in its simplicity, this poem by Aleksandr Pushkin inspires Jay Rouse's emotional choral setting, which uses contemporary harmonies and a sweeping

A traditional field shout, singers will enjoy learning this spiritual presented with care and authenticity. Percussive part writing supports the powerful melody, creating a driving rhythm that will keep

This festival/honor choir piece is a soaring melodic rendition of the familiar Sara Teasdale text, enfolded within warm harmonic textures and a luxuriant piano accompaniment.