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This motet was originally written for three-part women's voices. Here it has been adapted for mixed voices, one step lower in key, and with a piano part that is more than just a reduction of the voice
Employing the text from the Requiem Mass, this dramatic, exciting, rhythmic setting propels the angular melodies, many of which are unison, forward. The contrasting, lyric B section allows for a
Emily Dickinson's inspiring poem receives Victor Johnson's sensitive musical touch in this impassioned composition. With opportunities to teach lyrical singing techniques, phrase shaping, and dynamic
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