This Canadian folk song from Quebec is arranged for voices, piano, and optional percussion. Light, spirited, and full of fun, it's a popular choice for festivals, adjudications, concerts, and contest

Harriet Prescott Spofford's poem describes a young woman who discovers a bold new world of thrilling beauty when she ventures beyond her familiar walls. Accompanied by piano and optional violin, cello,

This bright and festive a cappella work is set for has become a standard in choral literature for both festival and church choirs. The SSAA and TTBB versions have been adapted by Tim Sarsany.

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

Composed in an Afro-Peruvian dance style, this piece for treble choir and piano with body percussion is so fun to perform! The lively tempo, engaging melody, and singable harmonies are a great match for

Poet Zoe Atkins likens her uncertainty to the wavering winds and shifting shadows and contrasts it with the unchanging stars and secure land. This text is mirrored musically with an opening section of a

Four hands on the keyboard give great drive to this very rhythmic, exciting and dramatic piece with a Sara Teasdale text. Chord clusters, close harmonies, and divisi in each voice part add to the depth and

Set for either a cappella mixed or treble voices, this work is exhilarating and powerful with a rhythmic drive that is most captivating for both singers and audience.

An authentic and representative lied from a Romantic-era female composer set in a dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a

A longtime festival favorite for SATB divisi choirs, this remarkable a cappella setting of a 17th-century poem by Andrew Marvell celebrates the power and influence of music. This setting is now available

This beautiful setting of George Matheson's familiar hymn text functions perfectly in both sacred or secular settings. Here, O Love is given a fresh new melody with equally refreshing and gorgeous

Maya Angelou's famous text frames this majestic concert piece that celebrates diversity, equity, inclusion, and access to one's purpose and destiny. Dilworth's setting is in his classic style with

A colorful and evocative piano accompaniment underpins the setting of this beautiful late Romantic text. Built on a pentatonic melody that gives it an earthy sound, this arrangement evokes the spirit of its

This exceptional work is a wonderfully expressive choral statement and it continues to be a popular choice with contest and festival choirs. It is available for SSA choirs in the original version with the

Rich melodic lines and fragments form the basis for a delicious counterpoint in this traditional folk hymn arrangement. The harmonies are at once modern and tasteful, with elements of tone-painting and

For the more advanced treble choir, this setting of a psalm of hope calms and satisfies the soul, bringing comfort to the listener. With a lovely ethereal quality, the beautiful harmonic writing and

This energetic piece for treble voices sweeps listeners on a beautiful journey into the rapids of Emily Pauline Johnson's poem. Bold vocal entrances cascade into bright harmonies as the piano creates an

This beautiful, evocative work was composed for SSA voices, with words by C. Alice Elgar and accompaniment for two violins and piano. It is also available for SATB choir as arranged by John Pointer. The

Inspired by the empowering poem by Rabbi Ruth Sohn, this piece describes the journey of a young woman who finds bravery amid uncertainty and fear. Middle Eastern harmonies paint an expansive desert

Lush harmonic textures are the framework for this beautiful, ethereal piece for mixed choirs. Cluster chords and effectively used dissonances help to evoke the vastness and mystery of space while

This song of happiness and celebration of the human experience is set in a minor key. The harmonic language acknowledges that we can't have joy without recognizing its opposite. The undertones point out

Originally published for mixed voices, this stunning work has reached a large audience in a very short time and has been published in SSAA and TTBB voicings to meet the growing demand. The reviews are in -