A classic work from one of the 20th century's premier composers, arranged for advanced percussion ensemble by David Steinquest. 

Quintet for unpitched percussion instruments. It features a large array of concert and marching drums and auxiliary percussion instruments. The piece is set up in such a way that the performers face inward

Melody and rhythm marry beautifully in Paul Halley’s exuberant and joyful work made famous by the Paul Winter Consort. It is sure to be a high point of any ensemble concert! 

The original Atmos Clock was the invention of the French engineer Jean-Leon Reutter in the 1920's. The goal of this clock was to create a machine that generated its own power through the use of perpetual

Chad Heiny’s brilliant piece Bad Juju juxtaposes deep African grooves played on traditional instruments and dissonant harmonic material played on three marimbas to create a feeling of uneasy

This piece for full percussion orchestra calls for a few rare instruments found in the region of Nepal, which give the piece a unique sound. Instruments like Himalayan yak bells, singing bowl, bamboo wind

This catchy and inspired composition by jazz musician Bela Fleck, has a simple melody which encapsulates the folksy sound of Americana  Scored for nine performers playing bells, xylophone, two

Nick Werth’s Boom Bap is an advanced ensemble piece for percussion sextet. The term “boom bap” refers to an onomatopoeia for the prominent percussive sounds in hip-hop: kick and

A staple in the literature from one of the industry's most prolific composers.

A set of three short tunes by jazz great Chick Corea fantastically arranged for advanced mallet quartet! Appears on several state and festival lists.

Brian Nozny's piece Coin is a piece about opposites. The ensemble is tasked with the harmonic development of the piece with little in the way of rhythmic drive. On the opposite side, the soloist is

The Celtic-inspired piece by Bela Fleck originally performed on the banjo is arranged here for advanced keyboard percussion sextet. The bass marimba part is playable on bass guitar.

Curious Surroundings was written as a way to represent the local folklore of the mysterious North Carolina mountains. The piece comprises three varying sections, each inspired by an infamous ghost

Deus ex Machina mixes acoustic percussion with audio accompaniment. Not only does the electronic track expand the orchestrational world of the ensemble, but it also provides benefits, such as a

A doppelganger is defined by Merriam-Webster as a ghostly counterpart of a living person. The composer has not chosen to explore the spiritual nature of the doppelganger, but has borrowed the concept of

Dragoon opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the wooden sounds and form their