"Electric fingers reaching, reaching, skipping, darting, fleeting, tapping on the clouds..." The vivid imagery and word painting in this creative original are further sparked by dynamic contrasts, rhythmic
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This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects.
If you're looking for something a little different to perform in the spiritual style, take a close look at this nicely rhythmic setting by Greg Gilpin. Interlocking vocals sing over a pulsating piano
This Elvis-style arrangement of the holiday pop classic - with kazoos - is irresistible! It's the perfect way to add a little humor and a whole lot of fun to your holiday performance. Now available in TTB,
In this dynamic arrangement of the Huddie Ledbetter tune, Greg Gilpin has captured the strong rhythmic pulse and harmonic energy that is characteristic of the Lead Belly style. To intensify the driving
Here is the definitive patriotic armed forces tribute! It features the official songs of all five branches of the U.S. Armed Forces, plus The Pledge of Allegiance and The Star-Spangled
This endearing song from the musical "You're a Good Man, Charlie Brown" will delight your audiences with its adorable lyric and sweet melody. With a tender and supportive piano accompaniment, Happiness will
Greg Gilpin’s inspired music brings Henry Wadsworth Longfellow’s text to life. Featuring a cascading a cappella introduction, this reflective work is a marvelous creative programming choice for
Simply charming for young and developing choirs, and now for SATB voices, this touching piece offers a wish for the world to find the hope, peace, and love that it needs. With memorable melodies and a
This hilarious send-up spoofs the usual gifts presented in The Twelve Days of Christmas: "eight ugly sweaters, seven pink flamingos, six Hawaiian shirts." The parody text provides lots of
Rhythm abounds in the vocal and percussion sounds of this a cappella arrangement of a Kenyan folk song. With a simple, delightful text, energy-filled vocals, rhythmic hand claps, small percussion and body
This fantastically fun Christmas feature gives us Jolly Old St. Nicholas in a swing style with vocal jazz elements and slides over a boogie bass. The syncopated choral parts and tasty harmonies
This medley is a wonderful way to teach American classic rock 'n' roll songs, add some edge and theme to your concert, and entertain your audiences - who just might sing along! Easy to learn and perform,
Greg Gilpin's skillful writing and sensitive interpretation create an expressive piece that brings understanding to the poignant text by the 18th-century poet Ambrose Philips. Stunning in its simplicity,
This familiar song sounds and feels as if it has always been a part of the folk song or spiritual genre. In this a cappella setting, optional percussion can be utilized to enliven the texture. Equally
Charged with gospel-style excitement, this traditional spiritual comes alive with energy and style. A powerful chorus, hand claps, a stacked vocal section and a key change build to a big ending that is sure
Creating a mood full of wonder, mystery and anticipation, Gilpin's expressive original is a superb choice for your winter or holiday concert. This piece provides wonderful opportunities to teach phrasing,
This popular spiritual sings of a plaintive soul on the journey through life. Now available for SATB, this best-selling arrangement has been beautifully set with striking vocal writing, a haunting piano
"Autumn gives a final sigh, smoky clouds across the sky. Now the snow begins to fly on the breath of winter." Gorgeous imagery captured in a choral work that is elegant and mysterious, accompanied by
Selected quotes of Mother Teresa are woven together to create a stunning lyric of love and compassion. With melody and harmony weaving above a flowing piano accompaniment and optional violin, the new SATB
Grab your washboards and kazoos, heat up the vittles and get ready to entertain country style, with a bit of hillbilly thrown in! "When you live in the country, everybody is your neighbor!" Bill Monroe's
Sing about angels, shepherds, wise men, the star, and "the baby born in Bethlehem" with this spirited original for Christmas. Choirs of any age will sound their best on the gospel harmonies and catchy hook.
This original a cappella work sings of the star above Bethlehem, shining to lead us to the gift of love and light. Add your own light percussion as desired, to bring a tasteful rhythmic touch to this
"Let it weave throughout the tapestry of who we are. In all that life can give, let music live." Here is an inspirational theme for every choir and for celebrating the power of music in our lives, our world
Driving rhythms, syncopation and a full spectrum of dynamics create an air of mystery and a sense of anticipation in this memorable contemporary original. Strong unison lines are complemented by full
"What says the wind to the waving trees? What says the wave to the river? What means the sigh in the passing breeze? Why do the rushes quiver?" Extolling the mysteries of nature and life, Gilpin's setting
The haunting melody of the Coventry Carol is paired with original music set to the words of the traditional spiritual What You Gonna Call Your Pretty Little Baby. This artful and
Don't miss this extraordinary original a cappella spiritual! An insistent melody opens the piece in unison, then fully develops with rhythmic syncopations, varied choral textures, and dramatic dynamics. A
Dolly Parton's inspirational hit was nominated for the Academy Award, Golden Globe and Grammy Award. Its motivating text, rhythmic melody and bluegrass accompaniment create an exciting, refreshing selection
This clever novelty piece addresses the fact that so many holiday songs feature "Fa la la" choruses and pleads for the audience to sing about anything else by suggesting a multitude of other holiday themes
This original a cappella Christmas spiritual has all the right elements for an impressive choral statement in December. Begin with a bass ostinato line, add a tenor counterline, then bring in the other