This contest/festival setting shimmers musically as well as textually. An exceptionally nice selection for more capable groups.

This inspirational song about believing in yourself and finding the courage to follow your dreams is perfect for graduation ceremonies and concert programs. Styled like a pop ballad, the contemporary vocal

A gentle, lilting setting of a traditional Navajo prayer. An excellent concert closer or quiet encore. With an optional Navajo flute intro.

Brimming with energy from beginning to end, this new take on an American folk hymn is a joy to experience for students, directors, and audiences alike. Specifically arranged for young developing choirs, the

A setting of a Civil Rights-era standard with driving piano and simple, direct vocal arrangement with lots of unison singing. Accessible for choirs of any level and any age!

With a simplistic folk-like nature about it, this work for two-part treble voices has some unison sections scattered throughout. The supportive accompaniment and the wonderful text that explores and extols

Paraphrasing Schubert's Serenade, this work has a lovely texture and the feel and style of a German lied. With some unison sections and a supportive accompaniment, this is a great teaching piece

"When I am gone, release me... but be thankful for our years." A modern yet melancholy setting of a text that centers around love and loss.

A powerful and artistic work with a nice mix of open and close harmonies and dynamic rhythms scored for four-part tenor/bass ensemble. Using the famous Dylan Thomas poem, this piece expresses the feeling of

Vachel Lindsay's poem is subtitled "A Poem Game," and this musical setting is a bit of a game as well - a game of skill as the text provides tongue-twisting turns for the singers. That and the interesting

Accompanied by piano with four hands, this work with a text that focuses on gratitude and looking forward to what the future will bring will be a delightful addition to any concert and certainly any

This beautiful setting of George Matheson's familiar hymn text functions perfectly in both sacred or secular settings. Here, O Love is given a fresh new melody with equally refreshing and gorgeous

The image of the footsteps of the Savior leading us onward provides a foundation for our testimony of trust. An intimate and compelling text and artistic choral writing, enhanced by a lovely piano

Set to a popular text by Walter de la Mare, this secular work is an expressive homage to J. S. Bach, combining lyrical vocal lines with a contrapuntal accompaniment.

Featuring a soloist, and with substantial choral parts, this piece makes use of contemporary harmonies to create a powerful ballad. The musical interplay between the choir and soloist is just gorgeous. This

I Will Be With You sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in

Part of the Harmony in Sequence series designed to help develop part singing by improving multiple skills through the choral experience, this work is a fantastic teaching tool for both younger and more

With only a flute accompaniment, this arrangement sets the wonderful words of the poet Lily Band sometimes as a soundscape, sometimes as a tone poem, and sometimes as just a mood or feeling. The harmonies

Originally written for viol and solo voice, this song was popular during the time of James I of England and was featured in the play "The Sparagus Garden" written in 1635. Written in strophic form with four

Voice on the Wind sets an inspiring text written by the composer about the empowerment of singing. With a catchy melody, imitative scat singing and a driving hand drum accompaniment, this piece has

Originally a lute song, this work is inspired by the galliard, a popular dance throughout Europe during the time of Elizabeth I. The text speaks of and celebrates the many virtues and charms of Laura with

Originally a lute song for solo voice and lute, this arrangement using the traditional melody is set much as a madrigal with sections of the piece sung by either a soloist or section. The text tells of the

Ian Crawford's arrangement of Schubert's famous and brilliantly dramatic Erlking enables choirs to explore dramaturgy and storytelling while learning a staple of Schubert's rich output for voice.