Adapted from the gospel-style interpretation of the hymn His Eye Is on the Sparrow, originally performed and recorded by the Georgia Mass Choir, this setting has been lowered a step and a bass part

This arrangement by one of America's leading arrangers of spirituals captures the pain of this world while celebrating the hope of the life yet to come. Though slow in tempo, it has a strength, energy and

First written as the bright, opening movement of Heavenly Home: Three American Songs, this enduring gospel favorite is set with a straightforward first verse and chorus. The next two verses combine

With the finely crafted vocal arranging of Roger Emerson, this powerful spiritual can't miss! In the style of other Roger Emerson spiritual settings, this selection works wonderfully for young voices with

Combing two African American spirituals - When the Train Comes Along and The Gospel Train - with additional lyrics by the composer, this song is exactly what we have come to expect from

A gospel-influenced setting of two inspirational texts by W.E.B. Du Bois. In the hands of Carol Barnett, these poems come alive. Energetic and meaningful!

Work songs, railroad songs and songs of travel are important components of the American folk song tradition. This attention to historical style is on full display in this carefully constructed treble

An uplifting, 6/8 gospel feel propels this original to soaring heights. Phrases were offered by school children and the composer crafted and connected them into a significant statement. Just when you think

Your choristers will love singing this upbeat setting of a traditional spiritual that has clever syncopations and a fun piano accompaniment.  Every listener will welcome this delightful selection,

This traditional spiritual counts the angels in succession as they all sing together in this up-tempo selection. Some independence in the vocal lines plus a descant provides enjoyable singing for younger

The river flows steady and calm in this beautiful arrangement of the traditional spiritual edited by Dan Forrest. It is impossible to ignore the underlying intensity which rises and falls as peace, love and

In this dynamic a cappella spiritual, the words from the traditional spiritual are incorporated in an original setting that prominently features the basses. Rhythmic excitement abounds with accents and

Developing choirs will love this fun medley of two traditional spirituals. Rhythmic and upbeat, the supportive accompaniment punctuates the rhythms while adding color and texture. The optional Descant

Singers will love this spirited, creative setting of the traditional spiritual! All three parts have the opportunity to sing the melody and the stylistic, accessible accompaniment enhances the engaging

The pairing of these two traditional spirituals was sparked by their common subject: the Israelites' flight from Egypt and crossing of the Red Sea to get to the Promised Land. The expansive nature of this

Rollo Dilworth has combined this freedom song, sung as an anthem of protest during the civil rights movement to spread the message of faith, determination and perseverance, with the words of the Langston

This setting of the Appalachian song reflects the change in text that appeared in the 2000 movie "O Brother, Where Art Thou?," where this tune was used for the baptism scene. Fun to sing, with great

Kyrie Eleison is the first movement of Gospel Mass, displaying some of the most vibrant, captivating, and deeply inspired writing of Andre Thomas's long, impressive career. Perform alone

The second movement from Averitt's collection of four American shape note folk songs and hymns. This upbeat rendition of the American folk hymn features a dynamic four hand piano accompaniment that sets a

The fourth and final movement from Averitt's collection of American shape note folk songs and hymns. This setting is presented with a festival style four hand piano accompaniment that establishes a fast and

The first movement from Averitt's collection of four American shape note folk songs and hymns. Though presented traditionally both melodically and harmonically in the choral lines, the four hand piano

This third movement from Averitt's collection of American shape note folk songs and hymns is Let Me Go. Presented in an a cappella setting that retains the style and traditional open harmonic

Edge-of-your-seat excitement! This modern take on the traditional spiritual features strong choral writing, with nice harmonic moments and interplay between voices, complemented by a spirited piano part.