This dynamite selection, which quotes the spiritual Walk Together, Children, offers driving rhythmic excitement straight through to its exuberant conclusion! A superb choice for concert, festival,

Opening with "Keep your lamps trimmed and burning!" as a dramatic rubato statement, this incredibly creative arrangement then kicks into a driving, rhythmically intense feel that never lets up!  A most

This remarkable new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the Crucifixion. The piano accompaniment,

This fresh combination of two traditional spirituals in a light jazzy style is equally appropriate for the concert stage or the worship service. The addition of the optional rhythm parts heighten the

This original gospel-style piece written for soprano and baritone soli, choir and piano is cheerful, spirited and full of energy. Employing rhythms and harmonies influenced by jazz and blues, this piece

Message and music join in this innovative arrangement of a time-honored early American hymn. This piece is filled with exciting moments, including special vocal effects, mixed meters, and an open harmonic

A great closer! This arrangement of the traditional spiritual uses traditional harmonies but adds rhythms and a barbershop feel to create a more modern vibe. With a soloist, and at times a solo trio, divisi

Based on the text of the familiar spiritual, this exciting original setting is a fitting closer for your holiday concert. Features a children's choir (or soloist) and SATB choir.

A refreshing twist to this rhythmic spiritual, this piece has wonderful energy and harmonic interest. It is the first movement of McKee's Savannah Suite.

This is a very modern and vibrant arrangement of the timeless spiritual which features a spectacular opening and a rousing ending that will challenge your singers and electrify the audience. There is some

Set in a spirited gospel swing, this traditional African American spiritual is paired with When the Saints Go Marching In in an arrangement with a dynamic modern feel. With both songs

This traditional spiritual encourages us all to persevere even in times of challenge and adversity. Set in a gospel style with call and response and repeated refrains, this work builds to a climactic chorus

This adventurous spiritual arrangement is a great confidence builder for developing choirs. With a stylistic nod to Dilworth, this gospel-tinged arrangement is powerful and dramatic, with interesting

Bernice Johnson Reagon's sermon in music is set in a contemporary a cappella style. Recorded by Sweet Honey in the Rock, this original spiritual offers a humorous but astute assessment of our culture and

Opening expressively with a solo, this spiritual favorite moves forward into a brisk tempo that will showcase developing SSA choirs with style! Well-written vocal parts and a supportive accompaniment make

This jazz-infused gospel original was inspired by the great spirituals of the past. Marked by invigorating rhythms, bluesy melodies and full harmonies, with a truly authentic gospel-style piano

The famous text of Charles A. Tindley's hymn The Storm Is Passing Over forms the lyric framework for this modern concert gospel piece. This powerful setting is marked by sturdy gospel harmonies, a

This exciting setting of the favorite spiritual will make your women's or mixed choir sound fantastic! With crisp rhythmic figures, call-and-response phrases, unexpected harmonic turns, and handclaps, it is

This beautiful, tender arrangement of the traditional spiritual offers an opportunity to hear and consider the text in a new way. Slow and reflective, this piece provides rich textures and glorious

Complete with handclaps and snaps, young and developing choirs are certain to enjoy this playful and engaging arrangement of the traditional spiritual. "Way in the middle, in the middle of the air, Ezekiel

A slow opening section blossoms into a rhythmic, energetic setting of this traditional spiritual for soloist and choir. A cappella throughout, with a call-and-response texture between the soloist and the

The African American spiritual Steal Away is combined with original material in this creative setting. A prominent tenor solo appears at the beginning, then gives way to the choir and returns again

An aleatoric sounds and syllables section opens to a rousing ostinato in this rhythmic a cappella setting. With superb choral writing and an energy that naturally grows throughout the piece, this work is a