This is a superb anthology of ten traditional spirituals for vocal solo with piano accompaniment. From the lyrical Deep River to the triumphant show-stopper Joshua Fit the Battle of
These fresh arrangements were designed especially for the needs of the progressing student in traditional and classical voice study. They display limited vocal range, creative piano accompaniments at an
Twenty-five spirituals arranged by American composer Harry T. Burleigh (1866-1949), including: Balm in Gilead; Deep River; Sometimes I Feel Like a Motherless Child; Steal Away; Wade in the Water
The table of contents divides these spirituals into four sections: Moderate and Rhythmic; Slow but Rhythmic; Slow and Quiet; and Fast and Bright. Titles include: Ride On, Jesus; Oh Freedom; Scandalize'
Collected from some of Howard Helvey's most successful choral works, this superb compilation of spirituals is a worthy addition to the library of every church or concert artist. Expressive, charming, and at
This collection of ten spirituals for solo voice and piano displays Moses Hogan's depth of understanding of the African-American spiritual. The harmonic structure of the piano accompaniments complement
Mary McDonald captures the spirit and message of two popular songs that deal with the significance of prayer for the individual believer and the church as a whole. The spiritual Down to the River to
Ruth Schram's reverent medley seamlessly combines the two spirituals in a duet for two equal male or female voices. With the expressive keyboard accompaniment, it is great for worship or school
Adapted from Mark Hayes' spectacular choral arrangement of the spiritual, this energetic solo setting lends itself well to worship and studio use.
This traditional spiritual is given a fresh, rhythmic treatment from arranger Lloyd Larson. Originally set for SATB choirs in his musical "Singin' in the Spirit," it is now available for solo voice with
Larry Shackley's rousing arrangement of the driving spiritual is a fantastic choice for worship, concert, or contest use. Whether accompanied by one pianist, two pianists, or the four-hand recording, the
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