Simple Gifts (Shaker Dance Song) arr. for cello and piano
Brackett , Joseph /arr. Colin Kirkpatrick
The Shakers were a Christian religious sect which grew out of a branch of Quakerism founded in England in 1747. The movement became popular in America during the 1780s and many small Shaker communities appeared. The Shakers were so-called … Read More
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Cello Solo with Piano
11603024Supplier ID: MSCK03-4107
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Price:$6.99
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Cello Solo with Piano
11603024ESupplier ID: MSCK03-4107
Price:$6.99
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Level:ME
ME
Price:$6.99
The Shakers were a Christian religious sect which grew out of a branch of Quakerism founded in England in 1747. The movement became popular in America during the 1780s and many small Shaker communities appeared. The Shakers were so-called because of their practices of ecstatic shaking and dancing during their religious activities. They were known for their simple living, egalitarian ideals and communal lifestyle. By the early 20th century, these communities had begun to dwindle and today, the sect has virtually disappeared.
Simple Gifts is a song intended for both singing and dancing. The melody and lyrics have been attributed to Joseph Brackett, a member of a Shaker community in Maine, New England. The song was barely known outside Shaker communities until the American composer Aaron Copland used the melody in the score of the ballet, Appalachian Spring, first performed in 1944. In 1963, the English poet and songwriter Sydney Carter brought the song to a wider audience by adapting the original melody for his hymn Lord of the Dance. There are several variants on the original melody and the song has now become internationally recognized.
This arrangement for cello and piano seeks to preserve the dance-like feeling of the song. Written in G major and C major, the first section of the cello part can be played in first position but the middle section requires the use of fourth position. The highest note in the cello part is G4; the G just above the bass staff. The shortest notes in the cello part are eighth notes (quavers). The piano part is straightforward and could be managed by any competent pianist. This arrangement would make an excellent and welcome addition to the young cellist's repertoire