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Featuring a moderate tempo and a contemporary Latin groove, Mike Carubia's chart on Freddie Hubbard's To Her Ladyship opens with a unison melody featuring a small group of alto sax, flugelhorn or trumpet with an optional flute part. Short written or improvised solos and a simple, but powerful shout chorus with drum fills round out this Hubbard classic.

To Her Ladyship

Jazz Ensemble Score & Parts

Here's a terrific ensemble ballad that will provide that extra special change of pace slot in your concert or festival program.  It's in the rock ballad style, but breaks into a swing ballad style for contrast before returning to the rock ballad style.  There are short, written or improvised solos for tenor and trumpet.  Featuring a beautiful and lyrical melody, this ballad gives all sections of your band an opportunity to shine!

Theme for Stacey

This chart features the sound of a New Orleans funeral band historically known as the "Second Line" behind the family and casket. It's a time for celebration coming after the initial mourning period. It's lots of fun to play in the style of a funky, marching, dixieland band. The harmonic form is the blues and there is room made for soloing both inside the ensemble and for featured soloists. The saxophone section features soprano lead and optional flute and tuba parts are included. A change-of-pace highlight with attitude!

Canal Street Commotion

Here's a straight-ahead rock original that's full of energy and drive! With solid ensemble writing and kickin' backgrounds behind the soloists, it shouts! The optional open solo section is over only two chords, concert G7 and C7, and suggested solos and chord changes are included in the alto 1 and trumpet 2 parts. After the solos a drum solo leads back to a restatement of the main theme. Hot Rockin' is not just your ordinary rock chart!

Hot Rockin'

This original swing tune at a medium tempo is reminiscent of Henry Mancini.  It features tasteful writing, nice soli sections for all and an open solo section.  An optional flute part doubling the alto sax 1 part adds to the tonal color of this fun chart.  This one will remind you of your favorite, pink cartoon character.  It's an accessible chart that will be a great showcase for your entire ensemble!  Highly recommended!

Traces of Blue

Based on the changes to I Got Rhythm, this happy calypso style chart will add variety to your programming and will keep your players on their "cut-time toes." There's plenty of exposure for the full band and an open solo section with changes provided for any player that wants to do some stretching out. Great change-of-pace programming!

Calypso Blue

"Farewell" fuses the soulful nuances of jazz with the energetic beats of rock in a memorable musical arrangement by M. Carubia. Composed by T. Jones and M. Carubia, this piece promises to captivate with its emotive melodies and rhythmic flair, perfect for ensembles looking to explore genre-blending compositions. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Farewell

This Thad Jones classic has been re-scored for performances by high school and better junior high groups without losing the integrity of the original. The swing/shuffle style produces a great feel and the solos are suggested or improvised. The ranges and technical requirements are reduced and the whole band gets an opportunity to shine in this great introduction to the music of Thad!

Don't Get Sassy

Jazz Ensemble Score & Parts in F

Featuring a modal, Latin/rock groove at a relaxed tempo, this unique and mysterious Mike Carubia original provides an appealing concert or festival piece with a distinctive sound. Additional features include the option of having the trumpet section play the main theme on flugelhorns and a wonderful sax soli. The solo sections are based on three, easy Dorian scales making the solos highly accessible. An optional flute part is included and the written ranges are: Trumpet 1 to B-flat; Trombone to G; Alto Sax to D-flat. Highly recommended!

Space Junk

Immerse in the vibrant fusion of jazz and rock with "Three and One," masterfully composed by Thad Jones and arranged by Mike Carubia. This piece captivates with its intricate harmonies and compelling rhythms, perfect for ensembles seeking to explore a dynamic, genre-blending repertoire. Elevate your performance with this exhilarating composition. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Three and One

Backstop is a medium-tempo, hard-driving blues chart in F. With moderate brass ranges and a unison saxophone line stating the melody, this one has a lot of energy, tight ensemble figures, and an optional open solo section. A soft ensemble and then a strong ensemble section leads to the solos. Suggested solos and chord changes are included in the alto 1, tenor 1, trumpet 2 and trombone 1 parts. An optional flute part is also included. From its attention-grabbing opening to its final chord, this is a wonderful chart that really cooks and is highly recommended!

Backstop

Andy Farber presents a fast swinger in the Basie tradition that swings hard at about 200 bpm! Written solos are included as well as an optional flute part. Great as a concert or festival chart, it's also an ideal teaching vehicle for the style. Written ranges: Trumpet 1 to A; Trombone 1 to G; Alto Sax 1 to C. This impressive chart delivers!

Cruisin' with the Count

A laid-back Latin feel, written solos, a medium tempo, great melodies and hip harmonies are all the reasons you should check this one out! It's easy to play, but it will make your ensemble sound rich and full. No stress, no strain, just good flow! Very nice!

Tampico

Series

Here's a very cool tune with a relaxed, Brazilian feel. At a medium pace, it includes lots of room for an accessibly written piano solo. This is a terrific original for younger and developing players that builds to an impressive and solid ending.

Brazilian Vacation

This uniquely scored Mambo allows the director to choose the form of the chart. Some sections are written in "loops" or "cells" and can be added or deleted as desired, allowing for a different form each time the tune is performed. Great for shy soloists, all solos are played on only one chord or scale. Optional Afro-Cuban percussion parts are included for a more authentic sound. You can have lots of fun with this one!

Mambo Loops

The trumpets start off this poppin' funk chart that's played anywhere from 144 to 152 bpm. With solid parts for all sections, Soulful Swagger stays true to the medium funky groove and has plenty of energy and driving ensemble sections to keep it cooking. The open solo section is over accessible changes followed by super brass writing before an additional solo by the guitarist. Adding to the excitement is a modulation up for the final section. Well conceived and well written!

Soulful Swagger

Andy Farber's Shag Bag is an exceptional rock chart featuring a very funky groove that jazz bands will enjoy rehearsing and performing. Included are solo sections for alto sax and trumpet that can easily be opened up for additional soloists. The trumpet range goes to written B-flat above the staff and the trombone goes up to F above the staff. Quality ensemble writing provides a big bold sound that will make your jazz band sound hot!

Shag Bag

Barbados is a nice Latin/rock chart exhibiting a fluid melody accentuated with some punchy background figures. The next to last section breaks into a swing style for variety before returning to Latin/rock for the last chorus. Featuring a lot of unison lines and solid ensemble writing, this one is great for younger and developing bands!

Barbados

This outstanding funk original is based on two chord changes, I &amp; IV Dominant chords, making soloing a breeze. A short interlude, or bridge, provides a break from the two chords adding interest to the overall effect of the chart. With hints of Watermelon Man, this tune features unison melodies and hip harmonies making it extremely fun to play and hear! Tons of personality! Highly recommended!

Buffalo Wings

Here is one of Thad Jones' most popular compositions rescored in the key of F concert to make it more accessible to developing jazz ensembles. An audience-friendly blues chart that is very playable and features plenty of mid-range full ensemble sections, it also includes written or improvised solos for piano, tenor sax and trumpet. A true Thad Jones classic!  An optional flute part is included and the written ranges are: Trumpet 1 to B-flat; Trombone to F; Alto Sax to C.

Big Dipper

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