Stone Maiden Music

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Prop65

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Three Near Dances can be likened to three near misses -- these movements
  are loosely based on traditional dance rhythms which have gone gently
  awry.
    
    I. Blues (in 7)
    
    II. Tango (in 9)
    
    III. Waltz (in 5)

Three Near Dances

Piano Solo

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Piano solo version of Part IV from the Sierra Marcy Song Cycle, Blooming
  Forth in the Moon's Dazzling Light:
    
    IV:
    
    12:03pm July 9, 2013 Church Street
    
    And now I have to let you go. You stand trapped behind the glass. The
  harder I look at you the more blurred you become. The louder I speak the less
  you can hear, and my voice cracks and crumbles like the walls of my heart
  that fell under the weight of your stare. You turn your back to me and I
  throw myself against the panes that thicken with each beat of my bleeding
  fists. My tears fall like rain in the world that separates you from me. I
  press myself to the icy wall, and sink to the floor when I realize I can no
  longer feel the warmth of your hands on my neck as you gently pressed your
  lips to mine. That I cannot feel the softness of your hair as it ran through
  my fingers. Pressing my face to the glass, wet with tears, I know you are
  gone. For I can no longer remember the color of your eyes.

Clavierstuck V

Piano Sheet Music

ClavierstuIck III: Ertragend is also inspired by folk dances (and a bit
  by Bartok's love of folk dances, in a way).

Clavierstuck III

ClavierstuIck II: Erleuchtenden is the situation which occurs when a
  Daichovo tangles with an abbreviated Acano (or its own mirror rhythm), and
  then briefly flirts with a Baroque-style prelude. Make it groove, make it
  wobble, make it dance!

Clavierstuck II

"Clavierstuck I" by Melika M. Fitzhugh is a captivating solo piece that weaves intricate melodies with rich harmonies, perfect for advancing pianists. This composition pays homage to classical roots while infusing modern sensibilities, offering performers a challenging yet rewarding musical journey. Ideal for recitals and competitions. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Clavierstuck I

Clavierstuck IV: “Umgewandeltwerden” is a piece which was started nigh on a decade ago...so at this point, no one recalls where the original theme found its inspiration. The title comes from the transformations applied to snippets of that original theme nine years later.

Clavierstuck IV in G Moll

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