The Lord's Prayer, Op. 23-B (for Brass Quintet)

Musically and artistically, by trying my hand at this sacred text, I gained immense appreciation for the extant settings of "The Lord's Prayer" by history's great composers. It is a difficult task to set text to music. Though intended to be set for SATB choir with brass accompaniment, the creative setting that was premiered in 2000 was for four flugelhorns and euphonium. Although it was effective, and the premiere was a success, through my many years of compositional experience since the March 2000 performance, I have become a staunch believer in the established instrumentation of the brass quintet. Even in this publication, though, I stray from this belief by calling for euphonium in place of the trombone, if available. If not, trombone is perfectly acceptable. The trumpeters should perform their parts on flugelhorns. "The Lord's Prayer" set the standard for inclusion of an original work at all of my student recitals, through my doctoral studies. This trend endured into my years in faculty quintets and Air Force Bands. Many concert tours included original brass quintet compositions as well as works for other ensembles. My most enduring memory of this setting of "The Lord's Prayer" is pacing the floor with my firstborn baby, employing the recital recording as a lullaby. It is my hope that this music will serve many people, to uplift and bring peace to their lives. The biblical text is set in the following measures, provided for context in rehearsal and performance: Our Father which art in heaven, (mm. 1-4, 9-12) Hallowed be thy name. (mm. 5-8, 13-16) Thy kingdom come, Thy will be done in earth, as it is in heaven. (mm. 17-24) Give us this day our daily bread. (mm. 25-32) And forgive us our debts, as we forgive our debtors. (mm. 32-40) And lead us not into temptation, but deliver us from evil: (mm. 41-57) [Instrumental interlude (mm. 58-73)] For thine is the kingdom, and the power, and the glory, for ever. (mm. 74-89) Amen. (mm. 89-105) (Matthew 6:9-13, KJV)