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The Oxford Book of Upper-Voice Polyphony
A Collection of Sixteenth-Century Motets in Two to Six Parts
ed. Mark Keane
This collection of carefully curated and edited Renaissance works is scholarly yet practical and is an invaluable addition to the library of any choir looking to explore this rich genre in liturgical or concert settings. For unaccompanied …
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Pepper ID: 11338543Supplier ID: 9780193534858
Ships from J.W. Pepper
Level:M
M
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Limited
This collection of carefully curated and edited Renaissance works is scholarly yet practical and is an invaluable addition to the library of any choir looking to explore this rich genre in liturgical or concert settings. For unaccompanied upper voices in two to six parts, with the exception of two double choruses, this volume comprises well-known favorites, lesser-known pieces, and pieces published for the first time in modern notation. Playable piano reductions for rehearsal and Latin text with non-singing English translations are also included, along with repertoire covering the church year and historical background and source information for each piece.
Adoramus te, Christe (a 3) Adoramus te, Christe (a 5) Agimus tibi gratias Alma Redemptoris Mater Alma Redemptoris Mater Palestrina Ante luciferum genitus Audi Israel Audivi vocem de caelo Ave Maria Ave Maria Monteverdi Confitemini Domino Cum pervenisset beatus Andreas Dum complerentur dies Pentecostes Dum illucescente Duo Seraphim Ego flos campi Estote fortes in bello Ex ore infantium Haec est dies In pace in idipsum dormiam Jesu, Rex admirabilis Jubilate Deo Judas mercator pessimus Justus cor suum tradet Lauda Sion Magi videntes stellam Magnificat O Domine Jesu Christe O Regem caeli O Sacrum convivium O beata Trinitas O magnum mysterium O sacrum convivium O vos omnes Oculus non vidit Princeps gloriosissime Pueri Hebraeorum Quam pulchra es Regina caeli Sancta et immaculata virginitas Sicut lilium inter spinas Surge, propera, amica mea Tenebrae factae sunt