Tim Brent

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This newly composed arrangement touches on the themes of love, hardship, and perseverance, while combining the song "Wildflowers" written by iconic American Singer/Songwriter Tom Petty, and the song "Hard Times Come Again No More" written by the legendary American composer Stephen Foster.

Wildflowers

SATB Octavo

Voice Subcategory

This response to Thomas Tallis's iconic setting of this text was commissioned by the Amor Artis Chorus of New York City.
The piece begins by presenting Tallis's original opening phrase "If Ye Love me, keep my commandments" establishing the harmonic and melodic framework from which the piece will depart.
The soprano solo enters at m5, at which point the harmonic material begins to expand and the texture thickens. The incorporation of the soprano saxophone adds remnants of Tallis's original melody as a soloistic voice superimposed with the new melodic and harmonic material that is present in the vocal score.
There are many independent phrase entrances that will require singers to be confident when the harmonic shifts might not always be diatonic. In particular, m25 has a dramatic harmonic shift to the key of Cb which needs to be anticipated by all voice parts, but basses in particular, as they execute the Bb to Cb interval that lays the foundation for that phrase.
Attention to all dynamics is crucial to deliver the most emotional and captivating performance possible.
This piece works very well when paired with the original Tallis setting of the text.

If Ye Love Me (SSAATTBB)

SSAATTBB Octavo

This Stevie Wonder classic is the perfect vehicle for your ensemble to showcase your soloists while bringing the ensemble together with some really powerful choruses. This song makes for the perfect openener or closer for your program with powerful lyrics and an intense groove.

This arrangement of the song Little Pony (originally recorded by Count Basie, and later by Lambert Hendricks and Ross, and the Pointer Sisters) is the perfect opener or closer for your program. The fast swing feel has lots of opportunity for soloists to demonstrate their skills on some really interesting, fun and rhythmic melodies.

Little Pony

SSATB Octavo

This lush, beautiful a cappella setting of the Joni Mitchell classic song will thrill your audiences and your ensemble with rich harmonies and interesting textures. Perfect for both a classical or vocal jazz ensemble, this ballad treatment will really allow you to feel the emotion of the text and melody.

Both Sides Now

SAATTBB Octavo

This TTBB a cappella setting of an inspired text by Percy Shelley is a rhythmically driving piece that will inspire your ensemble with beautiful moments of emotion, harmony, and changing dynamics to reflect the flight of the Skylark. Originally commissioned by the Florida Singing Sons under the direction of of Daniel Bates in 2020, this piece works well as both an opener and a closer.

To A Skylark

TTBB Octavo

This piece, written by Cuban composer Moises Simon in the son-pregon style (street seller's cry with musical elements blended from both Spain and Africa), is arguably one of the most famous pieces of music written by a Cuban composer.
 
This piece features many solo and duet opportunities and will require familiarization and practice with the Spanish language (as there are many phrases that move quickly throughout the piece).

El Manisero

"Can You Hear My Song?" is a vibrant TTBB choral piece that celebrates the profound joy of singing in harmony. The text captures the essence of communal music-making, illustrating how voices blend to create a tapestry of sound that transcends mere words. As the melodies soar, they evoke memories of shared momentslaughter, connection, and the warmth of companionshipreminding us that through song, we communicate our deepest thoughts and feelings.

Each lyrical phrase invites the singers and listeners alike to reflect on the power of music as a universal language that binds souls together. As the choir intertwines their voices, the piece becomes a joyous testament to the memories formed within each note, encapsulating the magic of shared experiences through song.

 "Can You Hear My Song?" is not just a performance; it is a celebration of community, love, and the timeless beauty of music knitting together the fabric of our lives.

Can You Hear My Song?

"Deus Protege a Bello" is a compelling choral piece that captures the tension and resolve of warriors marching into battle. Through the use of simple, repetitive phrases, the composition gradually builds in intensity and rhythmic energy, echoing the approach of conflict. Singers are encouraged to embrace the slow, steady rise in dynamics, creating a palpable sense of anticipation. As the piece progresses, layers of harmonies intertwine, reflecting the unity and courage of the warriors. In its climactic moments, the choir reaches a powerful crescendo, embodying the confrontation with their enemies, and invoking a fervent plea for divine protection in the face of war.

Deus Protege a Bello (TTBB)

This SSAA arrangement was inspired by the Janie Siegel recording from her solo album At Home. The song should have a playful, yet bluesy feel to it. The vocal style and color should have an Andrews Sisters quality to it with lots of energy and intensity. There are a few dynamic indications in the score but the director should be encouraged to explore more subtle and dramatic dynamics. Make sure the unison sections sound like one voice and avoid the use of vibrato (except to color the end of a sustained note). From m89 until the end of the piece the energy should be driving and intense.

Rhythm In My Nursery Rhymes

SSAA Octavo

Written and recorded by the iconic alto bebop saxophonist Charlie Parker, Au Privave takes on a whole new meaning with original new lyrics. This arrangement is the perfect vehicle for improvisation because of the 12-bar blues form, and also allows for a featured solo singing a vocalese to Parker's improvised solo. A really fun and exciting soli shout section punctuates the transition between the vocalese and the final statement of the melody (with a fun harmonic twist).

Au Privave (SSATB)

In this arrangement of "Going to Chicago" attention is paid to showcase the dynamic interplay between Joe Williams' soulful vocals and Count Basie's iconic big band sound. The piece features expressive lyrics that capture the excitement of a journey to Chicago, complemented by a rich arrangement that emulates Williams' impeccable phrasing. The ensemble writing is meticulously crafted to emulate the Count Basie band's iconic sound. Both lyric and improvisation solo opportunities abound highlighting the spontaneity and creativity of the soloists.

Going to Chicago Blues

Originally written and recorded by the iconic band leader Duke Ellington, and later popularized by the vocal group Lambert, Hendricks, and Ross, this arrangement is a thrill to sing and to experience!
It has the perfect blend of close harmonies, unison lines, as well as virtuosic vocalese solo opportunities to feature one or more members of the ensemble.
Be sure to solidify the articulation of each line/phrase to achieve a consistent swing feel throughout the piece. The creation of a legato phrase with swing articulation will allow for the most authentic performance.
Have fun and enjoy the challenge!

Cottontail

"Tale of the Snallygaster" is a haunting choral masterpiece that delves into the folklore surrounding the enigmatic creature from central Maryland, originating at the turn of the 20th century. Through ethereal harmonies and chilling melodies, the piece narrates the eerie history of the Snallygaster, captivating listeners with its spine-tingling allure. Perfect for those seeking an immersive experience into the realm of the eerie, spooky, or downright terrifying, this composition promises a journey into the depths of folklore's darkest corners.

Tale of the Snallygaster

SSA Octavo

This poignant setting of "The Gambler's Wife," by John Jacob Niles, beautifully encapsulates a mother's deep lament as she tenderly rocks her baby to sleep. The lullaby, rich in emotion, conveys her heartfelt desire to protect her child from the shadow of a turbulent legacy marked by gambling.

With gentle harmonies and soothing melodies, the arrangement evokes a serene atmosphere, ideal for lulling the infant into a peaceful slumber. As the mother sings, her voice blends sorrow with love, expressing her fears for the future while clinging to her hopes for a different life for her child.

 Each note carries the weight of her worries about the paths taken by both the baby's father and grandfather, illustrating her resolve to break this cycle.

 The choir's harmonious tones, combined with the lullaby's tender lyrics, create an intimate space where love and longing intertwine, fostering a sense of safety and warmth.

Gambler's Wife (By-Low)

The SSATBB a cappella vocal jazz arrangement of Leon Russell's "A Song for You," famously recorded by Donny Hathaway, masterfully captures the song's poignant lyrical depth. This arrangement employs rich, lush harmonies, allowing the emotion of the lyrics to resonate powerfully within each phrase. The intricate vocal interplay reinforces the heartfelt message of love and longing, creating an immersive listening experience. Designed as a solo feature for either a tenor or alto, this arrangement showcases the soloist's expressiveness while weaving seamlessly with the supporting voices, enhancing both the beautiful melody and the compelling emotional conveyance of the piece.

A Song for You

SSATTB Octavo

This is an original composition written by Rider University alumnus Christine Lam. This piece speaks about the uncertainty and challenges that life brings, but no matter what, we shall overcome those obstacles and be ready to face them. The accompaniment is only piano and the vocal textures support some wonderful solo moments, as well as allowing independence between all voice parts.

Come Hell or High Water (SATB)

This arrangement of the timeless Beatles classic is sure to have your audiences singing along as your singers embrace the spirit of John Lennon and Paul McCartney. There is no written vocal percussion part but I would certainly encourage the addition of some percussion to help drive this lively piece. To all soloists, feel free to take liberties with the solos and let your individuality come through. Really have fun with the groove shift at Letter I as it transitions to the reggae feel (a la Bobby McFerrin's "Don't Worry, Be Happy"). It should maintain the same tempo but with a half-time feel.

Paperback Writer

This SSATTB arrangement of the Stevie Wonder's classic will get your group grooving! There are plenty of solo opportunities and lots of interesting harmonic and rhythmic phrases throughout to keep your ensemble inspired. 

This arrangement can be performed a cappella or there are rhythm section parts available for piano, electric bass, and drums.

I Wish

SSATTBB Octavo

We are the music makers and we are the dreamers of dreams.” This choral setting of Arthur O’Shaughnessy’s iconic poem beautifully captures the spirit of human creativity and expression through music. Featuring two contrasting sections—a fast, rhythmic, and joyous opening followed by a slow, introspective, and somber reflection—the work offers both energy and depth. The optional semi-chorus adds color and texture, serving as an independent voice within the full ensemble. An ideal choice as either a program opener or closer, this piece leaves a lasting impression on performers and audiences alike.
 
Minimum order: 30 copies. To purchase fewer, please contact the arranger directly at info@timbrent.com.

We Are the Music Makers

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