TREBOR PUBLICATIONSEVANSTON, IL

Audio Available

Component

Delivery

Eprint Folders

Format

Grade

Item Sequence

Large Print Edition

Marketed Status

Minimum Sell Quantity

MINTS Data Available

Product Line

Prop65

Score Available

Video Available

Voice

Voice Category

This setting of the well known prayer is set for SATB and piano
  accompaniment. Mildly contemporary in idiom, the music mirrors the various
  partitions and moods of the text leading to a dramatic climax before
  returning to the contemplative opening.

Prayer of St. Francis

SATB Octavo

Basically a carol, this unaccompanied (preferably) Christmas piece never
  uses the words "Jesus" or "Christ" but rather substitutes
  "Love" and "Joy", thus making it usable in situations
  where the former words might not be appropriate. Set for SATB chorus with
  limited soprano divisi.

Sing a Song of Christmas

A setting of Psalm 145, verses 15-16, this piece is for unaccompanied
  mixed voices, with limited divisi. The writing is melodic in all voices, with
  all parts being of limited range, contributing to warm and interesting
  harmonic movement.

The Eyes of all Wait Upon Thee

This secular piece, set to a text by James Weldon Johnson (the writer of
  Lift Every Voice and Sing), is for unaccompanied mixed chorus. A love poem
  that perhaps was written for a special someone, the words are beautiful and
  poignant, expressing the deep fulfillment of a special and deep love. The
  musical setting is direct, with warm and lush harmonies that hopefully
  amplify the depth and meaning of Johnson's eloquent prose.

Beauty That is Never Old

Set to a text from the Book of Common Prayer, this setting is a prayer
  for the Church Universal. The moving supplication asks for God's continued
  blessings, and thus  it is appropriate
  for both general and perhaps more specialized use (church anniversaries,
  special services, etc.).

O Gracious God

These prayers may be sung successively or individually wherever
  appropriate (introits, responses, petitions, etc.) in the worship service,
  and may be sung with or without accompaniment at the directors discretion.
  Mildly contemporary in 				idiom, they hopefully will provide an alternative
  for choirs accustomed to more traditional settings.

Four Short Prayers

Commissioned by the First Presbyterian Church of St. Petersburg, Florida,
  the work is set to the traditional text found in the Book of Common Prayer.
  Set for SATB and organ accompaniment with a brief mezzo soprano solo, the
  work is lyrical and mildly contemporary in its harmonic usage. Appropriate
  for both sacred and concert use.

Magnificat and Nunc Dimittis

Set to a text by the 19th century hymnist Timothy Dwight, this
  unaccompanied hymn-anthem is set for SATB chorus with limited divisi and
  incidental soprano and tenor soli. Straightforward in its movement, the piece
  does venture from its primary key of D major but the voice movement is
  primarily diatonic.

I Love Thy Kingdom, Lord

A setting of the 17th century English poet, Robert Herrick (1591-1674),
  this unaccompanied piece is set for SSATB voices and is appropriate for the
  Advent/Christmas seasons. The ranges of the individual voices lie completely
  on the staff with the highest note for soprano being G2. Basically triadic
  with some extended tertian harmonies.

What Sweeter Music?

This setting based on texts from the Song of Solomon, is set for mixed
  voice and piano, and is of medium difficulty. The ranges are accessible for
  all voices and the piano accompaniment poses no real difficulties. The
  writing for the choir is harmonically warm and lush--amplifying the mood of
  this alluring text.

Rise Up, My Love, My Fair One

Global Sections - CORE [DO NOT TOUCH]*

Favicon

Need Help? Contact Us or call 1-800-345-6296    Live Chat

Header

Don't have a business account? Create one

Products