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Oxford University Press

Elaine Hagenberg's exquisite a cappella setting of a text by American poet Edith Franklin Wyatt speaks of companionship and the joys of sharing it as we travel along the road of life. Gorgeous harmonies, hanging cluster cadences, and soaring melodies create an unforgettable experience. Commissioned as a memorial and tribute, it can also serve as a year-end concert or graduation selection.

My Companion

SATB Octavo

Copyright Year

The well-loved Irish folk melody LONDONDERRY AIR is set here to the words of Howard A. Walter's poem I Would Be True. Alternative words to the second and third verses by David Warner are also included.

I Would Be True

Herald the joy of the Christmas season with this stirring original carol from John Rutter! Composed for SATB chorus, brass ensemble, handbells, and organ (piano), it promises to fill your sanctuary with sounds of jubilation and praise to the newborn Christ child. With dancing rhythms and uplifting text, this setting is a perfect way to celebrate this glorious time of year!

Rejoice and Be Merry

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Parts

Northeastern Music Publications

Starting out reflectively, this wonderful work picks up the movement with musical peaks and valleys of joy and intimacy that will leave the listener deeply affected. The faster section takes up the heartfelt melody while woodwinds play brilliant flourishes. The vast array of colors and moods that come from this piece will make an impression on your students. Highly recommended!

Whispers and Shouts

Concert Band Part

Alfred Publishing Belwin Division

This medley incorporates three of the best-known songs from the popular band: American Idiot; Wake Me Up When September Ends and Boulevard of Broken Dreams. Stretch your orchestra's musicianship with a full range of styles, from hard rock to gentle ballad. Playable by string orchestra alone or with additional winds up to full orchestra.

The Best of Green Day

String Orchestra Part

This warm and heartfelt setting of words by the composer celebrates human personal growth, comparing this to the change of season from winter to spring. A rocking piano part underpins the eminently singable vocal lines, and a scat section draws the piece to a reflective close.

Grow

SSA Octavo

LifeWay Worship Resources

From the creators of the popular and trusted Let's Sing series comes the highly anticipated collection Let's Sing Southern Gospel 2! Each song has been masterfully prepared by the Dove Award-winning arranger, Dennis Allen. Choirs and congregations will love singing the SATB arrangements of some of the best-loved southern gospel favorites. With vocal arrangements that are easy to learn and sing, you will find these fun and meaningful. Whether you're looking for a heartwarming anthem for Sunday morning or a treasury of songs for a special service, this compilation of 18 classic songs in 10 powerful arrangements is just what you need. It's Sunday mornin', the sun is shinin', and the family is all here with a song in their hearts. So Let's Sing!

Let's Sing Southern Gospel, Vol. 2

SATB Singer's Edition

Ensemble

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Arranged by the composer himself, this organ arrangement of one of Rutter's best-loved choral works is now available to play as a gently expressive interlude or voluntary. Requiring at least a two-manual instrument, this version fully captures the warmth and tenderness of the original.

A Gaelic Blessing

Organ Solo

Series

This warm, expressive anthem asks Christ to bring justice, hope, and joy to our lives. The simple, memorable melody may be sung unison or with straightforward harmonies in verse two. Gently flowing organ or piano accompaniment supports the voices in this short anthem, also found in The Oxford Book of Easy Flexible Anthems.

Come, Lord Jesus

SAB Octavo

Beginning a cappella, this lovely setting of the familiar carol stands among the best. Wilberg's unique ability to underpin the vocal parts with an extraordinary accompanimental support is evident here as is the superb vocal writing in the SATB verse. Not to be missed!

The Wexford Carol

This lovely setting of a Langston Hughes poem uses uplifting melodies and a shimmering piano accompaniment with oscillating sixteenths and broken chords. The solo cello enhances the texture, carrying a lyrical melody that bridges the vocal passages.

Silver Rain

This traditional Scottish song is often sung as a farewell at the end of a festive gathering. These a cappella arrangements are very straightforward and singable, featuring close harmonies, Scotch snap rhythms, and the warm sentiment of good wishes for all.

The Parting Glass

Inspired by the text of poet E. Pauline Johnson, Sarah Quartel has created an energetic and fun piece for a cappella voices. Melodic elements and counter melodies are shared between the voices in a conversational style while the background vocables create the texture. Concert music with a contemporary a cappella feel, it will appeal to good high school or collegiate choirs.

The Bird's Lullaby

Inspired by the Hawaiian story The Bowl of Light, Sarah Quartel has crafted an uplifting piece exploring the light that radiates from each person to create a sense of community. This pop-like concert work employs uplifting melodies and energetic rhythms with a supportive piano accompaniment. A wonderful choice for treble choirs of all ages!

See the Light

SA Octavo

Commissioned for the 2015 National Conference of the American Choral Directors Association, this work reflects on the journeys and adventures to be found in the wide open spaces within ourselves and in the world around us. The uplifting melody is passed from the upper voices to the lower voices before the piece opens out into an expansive texture with rich harmonies. A playful episode of scat singing is introduced before a resolute final chorus brings this evocative piece to a serene close.

Wide Open Spaces

"One little bird on a branch sits fanning amber wings to the passersby. Two little birds in flight are threading webs of gold in an endless sky..." This delightful piece will make your a cappella treble voices sound like a chorus of songbirds! There's even a little trilling in this outstanding, memorable concert and festival work!

Songbird

This work was inspired by the Radcliffe Ladies' Choir and their motto, "Friendship through singing." The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direction "contentedly rocking" describes the overall nature of the piece: peaceful, content, and easygoing.

All the Way Home

This joyful text celebrates the beauty found all around us in everyday life. Characterized by tight harmonies and a dynamic percussion line, the buoyant 7/8 meter of the opening drives the piece forward. Lush harmonies color the hymn-like B section as the text evolves into a call for strength despite the troubles that may come. Commissioned for a massed choir of over 700 singers, this piece is well suited for combined choir projects or as a rousing and meaningful concert closer.

Sing, My Child

An autobiographical recollection of a mountain hike from which the composer needed rescuing, this original work has a fresh, energetic, American folk-song feel. The music is propelled by the rhythmic a cappella vocal lines and optional military-style snare drum part, portraying the dichotomy of feeling both lost and found.

On the Mountain

SATB Octavo opt. Snare Drum

Robert Frost's well-known poem The Road Not Taken is given an emotional and uplifting setting. A twinkling piano accompaniment supports the voices, and the optional violin duet floats above, expanding on figures from the vocal parts.

Crossroad

Global Sections - CORE [DO NOT TOUCH]*

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