Unceasing Bell Tower

"Unceasing Bell Tower," composed by Martin Ulikhanyan, is a moving musical interpretation of Paruyr Sevak's influential poem. Written for clarinet and piano, the six-movement piece delves into the emotional core of Sevak's narrative. This story resonates as a collective expression of the Armenian people's tragic history of the genocide, embodied in the figure of the famous composer Komitas. Though envisioned for a dynamic museum presentation incorporating visuals and dance, the work stands powerfully on its own in a traditional concert setting. 1. DAWN BELL The first chapter tells the life of Komitas: his birth, his orphanhood. At the same time, the fate of the Armenian people also changes: the Adana massacres begin. 2. SUNRISE BELL The second chapter depicts the Armenian world, with its daily work and the song that accompanies it. Komitas is busy purifying the songs, removing foreign elements. Then he leaves for Berlin to study. The Genocide begins. 3. MIDDAY BELL The third chapter depicts the people who have come to their senses for a moment after the massacres, continuing their creative work, holidays, and weddings. And Komitas is again with his people, studying and purifying Armenian song. 4. EXPANDING BELL Thanks to Komitas, Armenian song enters the international arena. Komitas leaves for Constantinople from Echmiadzin, creates the “Gusan” choir, gives lectures, is invited to Paris and Berlin for concerts and reports. He begins to write the operas “Vardan” and “Anush”. It was at that time that the national tragedy struck. 5. BELL OF THE GENOCIDE Komitas is also exiled along with many intellectuals, becoming an eyewitness to the slaughter of his people. Sorrow and pain darken his mind and soul, driving him to madness. 6. INTENSIFYING ECHO In the finale, the poet presents the reborn homeland. The children of the Armenian nation, like birds, return to their homeland. Komitas also returns, but already into eternity, transformed into song and longing.