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Edited by John M. Laverty. British composer Alice Mary Smith was in her early 20's when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith's composition received a high level of praise from the British press following the work's premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognition her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith's original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Instrumentation:
2 Flutes
2 Oboes
2 Clarinets in B-flat
2 Bassoons
2 Horns in F
2 Trumpets in C
3 Trombones
Timpani
Strings

Symphony in E minor

Score & Parts

Instrument

Reproducible

St. Paul's Suite is Gustav Holst's best-known and most performed work for string orchestra. This edition is based on the original publication and edited to meet modern publication standards. It can also involve as many string players as a conductor chooses. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

St. Paul's Suite

String Orchestra Score & Parts

Immerse yourself in the rich textures of Samuel Coleridge-Taylor's "Four Novelletten for String Orchestra." This classical masterpiece blends intricate harmonies with vibrant, lyrical melodies, showcasing the composer's unique style. Perfect for orchestras seeking to explore expressive depth and emotional intensity. A must-have for lovers of refined orchestral music. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Four Novelletten for String Orchestra

Edited by John M. Laverty. Irish Tune from County Derry is one of Percy Grainger's most beloved works. In 1913, he scored and published an arrangement for strings. This edition is based entirely on that 1913 arrangement. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Irish Tune from County Derry

Edited by John M. Laverty. American composer William Grant Still (1895-1978) wrote Darker America in 1924, the same year George Gershwin wrote Rhapsody in Blue. It is one of numerous works written in the 1920s to incorporate elements of American jazz and blues. This edition is updated to meet 21st Century publication standards.

Darker America

Edited by John M. Laverty. Gustav Mahler's epic symphonies are known for their grand scale and length. Often, these works employ expanded brass sections and ll concert halls with glorious sounds that rival the sonic output of any other composer. Movement IV from Symphony No. 5, the sublime Adagietto, challenges the listener to lean forward in one's seat in order to fully absorb the richness of the music. It is a movement for strings and harp that is often performed as a stand-alone piece. This edition is based on the original publication and edited to meet modern publication standards.

Adagietto from Symphony No. 5

British composer Alice Mary Smith (1839-1884) was in her early 20's when she wrote her first major work, Symphony in C minor. Despite the many challenges faced by a female composer in Victorian era Great Britain, Smith's composition received a high level of praise from the British press following the work's premiere by the Musical Society of London in 1863. Despite this early praise, Smith never received the long-term recognization her talents deserved. Due to a number of factors, her orchestral compositions were not even published until the early 2000s. This edition is based entirely on Smith's original manuscript. The edition is highly edited including an update to modern instrumentation and the addition of missing/inconsistent dynamics and articulations. The original hand-written manuscript contains many additional markings in pencil (also included in this edition), apparently added after the inked manuscript was complete. Parts are also available, and as with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any potential copyright issues. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Instrumentation:
2 Flutes
2 Oboes
2 Clarinets in B-flat
2 Bassoons
2 Horns in F
2 Trumpets in C
3 Trombones
Timpani
Strings

Symphony in C minor

Full Orchestra Full Score

British composer Samuel Coleridge Taylor (1875-1912) published The Bamboula, Rhapsodic Dance for orchestra in 1911 after its premiere by the New York Philharmonic the year before. The work was commissioned by his enthusiastic American Patrons Ellen Battell Stoeckel and Carl Stoeckel. Edited by John Laverty

The Bamboula

Full Orchestra Score & Parts

Edited by John M. Laverty. First published and first performed in 1923, Darius Milhaud's La Creation du Monde is in many ways a cutting-edge work. Heavily influenced by American jazz at the time, it features alto saxophone as the main soloist, scored within the string parts. It also incorporates an awkwardly written percussion part that is
arguably the first example of a scored drum set part. This new edition incorporates an updated percussion part that is scored in a more appropriate manner for today's musician.

As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Instrumentation:
2 Flutes/Piccolo
Oboe
2 Clarinets in B-flat
Bassoon
Alto Saxophone
2 Trumpets in C Horn in F Trombone
Piano
Percussion Timpani
Violin I
Violin II
Cello
Bass

La Creation du Monde

Edited by John M. Laverty. This modern edition of Histoire du Soldat is based entirely on the original 1924 publication, with several revisions. The libretto found in the 1924 publication as well as subsequent publications is not included. The reason is to provide a score free of the clutter the libretto causes, giving a conductor a score that is intended to make the task of performing the piece a less daunting task. The original Ramuz libretto in French as well as translations is readily available from other sources. One addition to the parts is a cornet part in C. The original cornet part has movements in A or B-flat, requiring the player to transpose the part depending on key of the instrument chosen for the performance. Most often a C cornet or a C trumpet is the instrument of choice, thus the part in C. The percussion part has been rescored in order to provide a more logical and decipherable part for the player.

Histoire du Soldat

Edited by John M. Laverty. Best known as a work for violin and piano, The Lark Ascending was also set by Ralph Vaughan Williams for soloist with orchestra. Known as a masterful orchestrator, Vaughan Williams does not disappoint with this work, scored for violin soloist, two utes, oboe, two clarinets in A, two bassoons, two horns in F, triangle, and strings.

The Lark Ascending

Edited by John M. Laverty. American composer William Grant Still (1895-1978) wrote Darker America in 1924, the same year George Gershwin wrote Rhapsody in Blue. It is one of numerous works written in the 1920s to incorporate elements of American jazz and blues. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form  printed on paper  or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Instrumentation:
2 Flutes
Oboe
English Horn
2 Clarinets in B-at
2 Bassoons
Horn in F
Trumpet in B-at
Trombone
Percussion
Piano
Strings

Immerse yourself in the lush, evocative landscapes of "Symphony in E minor 'Gaelic'" by Amy Beach. This masterful classical composition, rich in vibrant melodies and robust themes, reflects the spirit and majesty of the composer's heritage. A pivotal piece that beautifully encapsulates the essence of an inspired, pioneering spirit. - Note: This music is composed by humans. No human-written product description is available, limiting search visibility. The AI-assisted description is for reference only.

Symphony in E minor "Gaelic"

Global Sections - CORE [DO NOT TOUCH]*

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