Ave Verum Corpus
as Played by Vikingur Olafsson
Wolfgang Amadeus Mozart /arr. Flavio Regis Cunha
Vikingur Olafsson made an unforgettable impact on the music world with
the release of his first three Deutsche Grammophon albums: Philip Glass Piano Worksa(2017), Johann Sebastian Read More
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Vikingur Olafsson made an unforgettable impact on the music world with
the release of his first three Deutsche Grammophon albums: Philip Glass Piano Worksa(2017), Johann Sebastian
Bacha(2018) and Debussy Rameau
(2020), all of which earned the Icelandic pianist global critical
acclaim.
For his fourth DG album, Mozart & Contemporaries, set for release on 3
September 2021, the multi-award-winning Olafsson has devised a
characteristically thought-provoking programme. It features a selection of
his favourite Mozart keyboard works, including the Sonata in C minor K457 and
Adagio in B minor K540, together with pieces by other leading composers of
the day: Haydn, C.P.E.aBach and the lesser-known Galuppi and
Cimarosa.
The Mozart works are taken from the last ten years of the composer's life,
by which time, as Olafsson explains, "Mozart was not just perfecting the
Classical tradition but subtly subverting it.
The shadows are darker, the nuances and ambiguities more
profound."
Ave verum corpus (Hail, true body), (K. 618), is a motet in D major
composed by Wolfgang Amadeus Mozart in 1791. It is a setting of the Latin
hymn Ave verum corpus. Mozart wrote it for Anton Stoll, a friend who was the
church musician of St. Stephan in Baden bei Wien. The motet was composed for
the feast of Corpus Christi; the autograph is dated 17 June 1791. It is
scored for SATB choir, string instruments and organ.