Chad Rehmann

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Mozart’s iconic work takes on a fresh, cinematic life for solo violin, string orchestra, and piano - bridging classical elegance with modern emotional resonance.

This vibrant arrangement respects Mozart’s charm and formality while expanding its expressive palette. Subtle reharmonizations and expanded dynamics bring cinematic scope to familiar melodies, making this arrangement equally at home on a classical concert stage, in an educational setting, or in crossover programming. The writing emphasizes balance, flow, and color - offering a piece that’s as satisfying to rehearse as it is to perform.

A Little Night Music

String Orchestra Score & Parts

Beethoven’s Moonlight Sonata - intimate, haunting, and timeless - reborn for solo violin, string orchestra, and piano in a cinematic retelling that shimmers with quiet intensity.

This arrangement transforms Beethoven’s iconic piano work into a lyrical soundscape where the solo violin takes center stage as the voice of reflection and longing. The string orchestra envelops the melody in subtle waves of harmony while the piano sustains its original heartbeat - steady, meditative, and hypnotic. The result is a deeply emotional journey that feels both familiar and new, connecting classical elegance with cinematic expression.

Perfect for contemplative concert moments, cross-genre programming, or as an emotional centerpiece in an evening of orchestral storytelling, this arrangement offers musicians and audiences alike a rediscovery of one of history’s most beautiful works.

Moonlight Sonata

This vivid arrangement transforms the exuberant spirit of Vivaldi’s La Primavera into a dynamic, modern concert experience. The solo violin leads with bright, agile melodies that capture the season’s vitality, while the solo cello offers a wonderful counterpoint - grounded, warm, and expressive. The string orchestra provides lush harmonic motion and rhythmic drive, and the piano brings sparkle and clarity, acting as both continuo and cinematic color wash.

The adaptation stays true to Vivaldi’s timeless charm while enhancing it with broader harmonic depth and modern pacing. The dialogue between the violin and string orchestra mirrors nature’s own dualities - light and shadow, motion and rest, energy and grace. 

Ideal as a concert opener, educational showcase, or crossover performance piece, this arrangement invites audiences to rediscover one of classical music’s most beloved works through a fresh, emotionally engaging lens.

Spring

This vibrant arrangement transforms one of opera’s most recognizable arias into a richly expressive instrumental feature. The solo violin and piano trade off the seductive vocal line of Carmen herself, gliding between lyrical phrasing and bite while the string orchestra and piano weave the tango-inspired pulse beneath. The result is both sophisticated and bold - a blend of old-world charm and modern energy.

This arrangement retains Bizet’s unmistakable Spanish flavor while introducing fresh harmonic color and phrasing that make the work ideal for today’s concert stage. The piano’s rhythmic clarity locks in the groove, the strings shimmer with warmth and precision, and the solo violin commands center stage with expressive phrasing that invite true storytelling. 

Perfect for pops concerts, crossover programming, or any set that celebrates the meeting of classical tradition and cinematic energy.

Habanera

Grieg’s Morning Mood reawakens as a radiant duet for solo cello and solo violin, supported by string orchestra and piano - a cinematic sunrise filled with warmth, color, and calm vitality.

In this fresh take on Grieg’s iconic opening from Peer Gynt, the familiar rising melody becomes a graceful dialogue between solo cello and solo violin. The string orchestra surrounds them with shimmering harmonies that expand like light across the landscape, while the piano provides stability and harmonic clarity, evoking the quiet momentum of dawn.

Preserving the pastoral lyricism of Grieg’s original, this arrangement frames it with modern cinematic pacing and textural depth. Perfect as a concert opener, educational showcase, or reflective moment in a symphonic program, this duet invites audiences into a sound world that feels both nostalgic and new.

Morning Mood

Lumen’s Gift is a musical soundtrack that mirrors a young girl’s journey to save her kingdom from an evil sorcerer. The composition is designed to track the story’s progression, as the narrator sets up each musical scene. As students follow the story through the music, they can explore various moods and characters, making each section feel like a new adventure. This dynamic approach encourages creativity and expression, allowing players to bring their own interpretations to the episodes of the story. Moreover, performing a piece with narration can be especially rewarding as it turns each rehearsal and performance into a journey of discovery and imagination.

INSTRUMENTATION
Conductor Score
Narrator
Flute / Oboe
Bb Clarinet
Bb Bass Clarinet
Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet
F Horn
Trombone / Baritone / Bassoon
Tuba
Percussion 1 (Snare Drum, Bass Drum)
Percussion 2 (Crash Cymbals, Triangle, Tambourine)
Percussion 3 (Toms, Wind Chimes)
Glockenspiel
Timpani (optional)
Xylophone or Marimba (optional)

PERFORMANCE NOTES
Timpani (opt) and Mallets (opt) parts are optional.
Mallets (opt) may be played on any mallet instrument, with the exception of the Glockenspiel.
At the beginning of Menacing (m 50), players with the rectangular note shape are encouraged to play any note on their instrument that they wish. The resulting sound should be a menacing crescendo with no tonal center.

Lumen's Gift

Concert Band Score & Parts

This electrifying arrangement reimagines one of the most exhilarating moments in The Nutcracker as a dynamic solo violin showcase supported by string orchestra and piano. The violin commands center stage with brilliant runs, crisp bowing, and folk-infused flair, while the string orchestra adds rhythmic momentum and drive. The piano anchors the groove with percussive clarity and harmonic punch, amplifying the dance’s energy and giving the entire ensemble a thrilling, unified pulse.

This work captures the spirit of Tchaikovsky’s original while enhancing its kinetic power for the concert stage. The arrangement balances showmanship and precision, giving performers a technically rewarding and audience-grabbing experience. Perfect as a concert opener, encore, or festive centerpiece, this Trepak channels the excitement of ballet into an orchestral showcase that’s both accessible and dazzling.

Trepak

In this elegant new take on Delibes’ iconic duet from Lakmé, the voices of the soprano and mezzo are reborn as a lyrical conversation between solo cello and solo viola. Each instrument carries its own melodic color - the cello rich and grounded, the viola warm and human - intertwining in graceful dialogue above the supportive shimmer of string orchestra and piano.

This arrangement preserves the operatic charm and phrasing of the original while expanding its harmonic depth and cinematic scope. The piano adds a transparent rhythmic pulse and harmonic clarity, while the orchestral strings envelop the soloists in an atmosphere of calm and serenity. 

Perfect for recital features, pops concerts, or educational programming focused on tone blending and chamber-style sensitivity, this version transforms a timeless vocal duet into an instrumental showcase of nuance and beauty.

Flower Duet

Tchaikovsky’s iconic Swan Theme from Swan Lake - lush, tragic, and timeless - reimagined for solo violin, string orchestra, and piano with sweeping cinematic depth and emotional clarity.

This arrangement transforms the haunting beauty of Tchaikovsky’s Swan Theme into an expressive showpiece for solo violin. The melody, originally carried by the orchestra’s oboe and strings, now sings through the violin’s lyrical voice - vulnerable, soaring, and full of longing. The string orchestra deepens the emotional texture with shimmering harmonies, while the piano adds rhythmic pulse and harmonic color reminiscent of a score’s emotional undercurrent.

Honoring Tchaikovsky’s unmistakable melodic line, this reimagining enhances its atmosphere with modern orchestral transparency. Perfect for romantic concert programs, ballet-inspired events, or cinematic showcases, this arrangement invites audiences into the timeless elegance and quiet tragedy of Tchaikovsky’s Swan Lake.

Swan Theme from Swan Lake

In this bold new interpretation of Beethoven’s Pathétique Sonata, the solo violin emerges as both narrator and hero - delivering the sonata’s turbulence and lyricism with fresh immediacy. The string orchestra intensifies the emotional landscape, adding warmth, tension, and depth, while the piano preserves the heartbeat of Beethoven’s original - anchoring the rhythm, driving the crescendos, and coloring the harmonic shifts that make this music timeless.

This arrangement honors the original structure and drama of the sonata while recasting it as a work of orchestral storytelling. The balance between solo violin and ensemble evokes the tension between vulnerability and defiance at the core of Beethoven’s writing.

Perfect for concerts that bridge classical tradition with cinematic energy, this arrangement captures both the storm and the stillness that define the romantic spirit.

Pathetique

The Holly and the Ivy opens with a gentle, sweet, and magical orchestral gesture - soft, luminous chords and bell-adjacent voicing that suggest winter charm without excess flourish. The introduction leads naturally into a sparse solo violin entrance, clearly framed by simple slurs and comfortable phrasing that prioritizes musical shape over technical display. The piano part provides harmonic support, voiced to give space and flexibility, ensuring that the soloist is never obscured and always free to shape the melodic line.

The central section gradually thickens while the ensemble harmony remains warm, intuitive, and rhythmically aligned, avoiding vertical density and maintaining clarity of beat, which allows the orchestra to expand the emotional range without becoming technically complex. Directors looking at this score will find that registers sit in safe, realistic zones for youth, community, or mixed-ability orchestras - ample time to shift dynamic balance while maintaining clean attack points across parts.

As the arrangement moves toward its conclusion, the harmonic language becomes richer, supported by long, lyrical sustains in the strings. These final chords are written with tasteful breadth, using clean spacing so that the ensemble sound feels fuller while retaining blend, intonation, and expressive warmth. The optional celesta color (if present in the full score) is reflected or cued tactfully in both harp and piano staves when resources are limited, keeping the score flexible for a variety of ensemble settings without requiring additional personnel or instrumentation.

This setting ends with rich, warm harmonic textures that honor the familiar carol, giving orchestra directors a cinematic, musical moment that feels elevated yet secure, and offers a thoughtful, balanced arc from sweet simplicity to warm ensemble bloom to rich harmonic close.

Holly and the Ivy

Bring a warm, nostalgic glow to your next winter concert with this beautifully crafted arrangement of Auld Lang Syne. Written for solo cello with string orchestra, supported by harp, piano, and optional celesta, this setting creates a shimmering, reflective atmosphere ideal for holiday programs, New Year’s concerts, and commemorative events.

The solo cello introduces the beloved melody with expressive simplicity, allowing younger ensembles to focus on shaping long, lyrical phrases while maintaining a comfortable, singing tone. The accompanying string writing is accessible and supportive - mostly in homophonic textures - while still offering musical interest through gentle countermelodies, warm inner voices, and dynamic swelling lines. The arrangement sits comfortably at the Medium Easy (Grade 3) level, making it perfect for middle school, early high school, community, or church ensembles looking for a meaningful and elegant moment in their concert.

The piano part provides rhythmic foundation and harmonic breadth, while the harp adds sparkle and resonance without requiring advanced technique. The optional celesta part enhances the magical quality of the piece, giving directors flexibility based on available instrumentation. If celesta is not available, cued notes are available in the harp and piano parts.

This setting retains the traditional melody and emotional familiarity of Auld Lang Syne, while adding lush, modern harmonic touches that elevate the work into a memorable feature for your cello section or guest soloist.

Reduced strings &amp; piano version with C Instrument, Bb Instrument, Eb Instrument, or Violin/Viola soloist available from Grey Duck Music.

Auld Lang Syne

This arrangement opens with a chime-like, shimmering instrumental gesture that evokes winter light reflecting off crystal. The celesta sonority is fully doubled and tastefully cued in both the harp and piano staves for balance and flexibility. The sound quickly blooms into a warmth-tinged solo cello entrance, presented clearly in measure-anchored phrasing. The melody sits comfortably in the singing mid-range of the instrument, allowing the soloist to shape the line with expressive ease.

The string orchestra bed is deliberately thick yet transparent - carefully voiced in safe, supportive register zones across violins, viola, cello, and string bass. The texture supports the solo without overshadowing, using warm sustain-based harmonic pacing reminiscent of traditional orchestral holiday works. Broad, simple dynamic arches and clean rhythmic alignment ensure ensemble clarity, blend, and confident entrances across sections.

The harp and piano contribute occasional sparkled color, interwoven between longer string sustains. These moments are brief and elegant - simple rolled figures, glinting chord tones, and harmonic icing that add shimmer without introducing technical burden or dense vertical complexity. 

The arrangement avoids divisi overload, extreme meter or tempo changes, rhythmic independence complexity, or extended contemporary techniques. This keeps the ensemble focus on tone, phrase shaping, balance, and holiday character rather than technical risk. The harmonic rhythm moves at a gentle, forward-flowing Andante pace (~85 BPM), ideal for developing and mixed-level orchestras working in meaningful pops/vocal-adjacent holiday scoring.

This setting reflects a thoughtful musical philosophy: elegance first, confidence always, and emotional truth carried by the solo cello voice while strings provide the body, and harp/piano/celesta deliver the sparkle. Reduced strings &amp; piano version with C Instrument, Bb Instrument, Eb Instrument, or Violin/Viola soloist available from Grey Duck Music.

Deck the Halls

This epic arrangement of O Holy Night brings fresh power and emotion to one of the most beloved Christmas melodies of all time. Scored for orchestra and solo cello, the piece opens with a quiet grandeur that highlights the beauty and depth of the cello’s tone before building to a radiant, full-ensemble finale. Rich harmonies, expressive string writing, and bold brass accents make this version both heartfelt and exhilarating, ideal for holiday programs that seek to balance tradition with contemporary flair.

Designed to feature a guest soloist or principal cellist, O Holy Night provides a showcase moment that connects with audiences on a deeply emotional level. The arrangement captures both the reverence of the carol and the excitement of a modern cinematic sound, creating a performance that will linger long after the final chord. Perfect for symphonic pops, community, or school orchestras, this is a guaranteed centerpiece for your next holiday concert.

O Holy Night

Full Orchestra Score & Parts

It Came Upon a Midnight Clear for solo violin, strings, piano or harp (interchangeable), and optional celeste opens with a transparent introduction built on sustained string harmony allowing the familiar carol to emerge from a calm, cinematic atmosphere rather than a grand statement.

The solo violin enters with long, shaped phrases that prioritize lyrical line and breath over technical display. Slurs are written to support natural bow distribution, and the range remains comfortably centered, making the solo suitable for strong high school, community, or professional players. The accompanying instrument (piano or harp) provides harmonic grounding and light rhythmic definition, carefully spaced so the soloist retains expressive freedom and tonal clarity.

As the arrangement develops, the inner strings gradually thicken the harmonies while maintaining rhythmic alignment and clean vertical spacing. The writing avoids unnecessary divisi density, keeping ensemble balance practical and rehearsal-efficient. Dynamic shaping is built into the orchestration, allowing conductors to expand the emotional arc without overcomplicating articulation or coordination.

The optional celeste adds shimmer without dependency. Registers are intentionally conservative, sitting in reliable zones for youth, church, or community orchestras.

The closing section broadens harmonically with sustained string warmth and carefully spaced final chords. The ending avoids excess grandeur, instead resolving with a controlled, resonant finish that honors the carol’s contemplative character while delivering a polished concert moment.

Reduced strings &amp; piano version with C Instrument, Bb Instrument, Eb Instrument, or Viola/Cello soloist available from Grey Duck Music.

It Came Upon a Midnight Clear

Ensemble

Instrument Family

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An epic arrangement of a holiday classic co-arranged and performed by cello sensation, That Cello Guy. Having performed with everyone from Hans Zimmer to Nelly to Carrie Underwood, That Cello Guy has partnered up with film composer, Chad Rehmann, to create this magical arrangement.

The octet is just under 4 minutes long and is an easy way to either showcase your cello program or perform with a visiting artist or teacher as soloist. This piece was featured in the Lifetime Christmas film, Christmas Arrangement and released on Grey Duck Records.

Cello Octet

This arrangement breathes new life into one of Tchaikovsky’s most recognizable pieces, reimagining the delicate celesta lines as an expressive dialogue between solo cello and string orchestra, anchored by the shimmer and pulse of the piano. The result is both intimate and cinematic - equal parts nostalgia and wonder.

This arrangement captures the spirit of The Nutcracker while expanding its color and atmosphere for the modern stage. It’s ideal for holiday programs, pops concerts, or as a mesmerizing interlude within a larger orchestral set.

Sugar Plum Fairy

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