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Entreat Me Not
Lewis, Darin
This setting of Ruth I:16 juxtaposes two contrasting ideas. The opening homophonic motive is present at both the beginning and the end, while the middle section is much more polyphonic. The harmonic language explores how slight … Read More
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This setting of Ruth I:16 juxtaposes two contrasting ideas. The opening homophonic motive is present at both the beginning and the end, while the middle section is much more polyphonic. The harmonic language explores how slight dissonance added to triadic movement creates beauty and tension.