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Four: On a Remix of Beethoven
Using the famous four-note motive from the first movement of Beethoven's Fifth Symphony, Randall Standridge has constructed a fantastic meditation on the famous symphony. The work is divided into four sections: a powerful and exciting introduction, a playful gigue in compound meter, a lyrical third section that features French horns, and finally an angry dance in 7/8 that leads to the grand finale. Not easy but well worth the effort.
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