New Concordia Sheet Music

This partita is based on Martin Luther's best-known chorale and utilizes both its rhythmic and isometric versions. The first movement may also be used as an accompaniment to the rhythmic version, just as

This flexible arrangement evokes the power and majesty of the text. It begins with a straightforward harmonization, then a contrasting stanza with the melody in the bells and the accompaniment in the chimes

This festive setting of WIE SCHOEN LEUCHTET begins with a simply stated melody in the bass and a cascading treble-bell peal. This is followed by a meditative middle section featuring continuously moving

One in a series of hymn accompaniments for piano that will be useful for leading congregational singing, these settings can also be used to accompany unison choir or soloist. These settings provide variety

For SATB choir, congregation, organ, and brass quartet, As Stone on Living Stone Is Set features a reflective text by Lisa M. Clark and an inviting tune by Kevin Hildebrand. This festive and

A festival hymn setting by Jacob B. Weber on the tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) composed for trumpet and organ or simply organ solo. Practical throughout the year, this arrangement will be

An original composition for handbells or handchimes, this piece brings to mind bells pealing from a small chapel, calling people to a time of worship. This quiet piece offers no familiar tune and encourages

Scott Joplin meets Isaac Watts in this new take on Joy to the World. Bass ringers will love the boogie-woogie beat! Care must be taken to have the melody predominate as it moves through various

This hymn text by Stephen P. Starke is based on Christ's words of care for His people from the Sermon on the Mount. This arrangement for SATB, organ, and oboe or violin uses the flowing tune NORTHCROFT.

A peaceful arrangement of a familiar Advent hymn for SAB, organ or piano, and optional handbells. The final stanza is sung by the baritones with the women soaring beautifully above. The handbells are few

The Reformation-era hymn "Dear Christians, One and All, Rejoice" never goes out of style! This collection contains seven variations of varied ability levels, with some variations as manuals only. Variations

Alfred Fedak has  crafted eight varied hymn settings in a masterful way. These settings would be appropriate for preludes, offertories, and postludes. Tunes included are: AUS TIEFER NOT; DUNDEE;

These joyous pieces are appropriate for the season of Epiphany and other times of the church year. They are joyous in nature and varied in styles.  They range from medium to medium-advanced.

Continuing his very popular series, these five imaginative settings will be a wonderful addition to your library. Contains: Prelude and Fugue on A Mighty Fortress; What a Friend We Have in

Kevin Hildebrand adds twelve pieces to the For Manuals Only series. These pieces are crafted to be accessible for players with limited or no pedal ability, while still interesting and engaging for organists

This arrangement for two-part choir and piano combines a newly-composed tune with the familiar hymn tune DIX. Easy and accessible for choirs of all ages and sizes. The piano part is lovely and supportive

This collection of hymn arrangements is perfect for those times when you are shorthanded for musicians or would like to travel with a small group. Each piece uses only twelve bells, spanning F5 to C7, and

The Christmas favorite GO TELL IT has been arranged by John A. Behnke for 3–5 octave handbells and handchimes. Level III. This arrangement uses echoes, martellato, chimes with vibrato, and shakes to

These hymn tune and carol settings are medium-advanced and appropriate for Advent and other seasons of the year. They are very well written and will be engaging for player and listener alike. They also