Psalm.34

William Hall gives you exactly what you expect, the standard harmonies, the classic Greensleeves tune with a lute-like guitar accompaniment, and a straightforward choral setting. A piano realization is

This eight-part a cappella setting uses exciting choral writing and changes of key and tempo to create the perfect marriage between music and text. This very satisfying arrangement has the feel of a

A dramatic and encouraging text by Georgia Douglas Johnson provides the inspiration for the music in this choral piece. Well-crafted choral lines with occasional counterpoint drive home the uplifting

"Where Quiet plays alone, sits and dreams, falls asleep." Sara Teasdale's poem shimmers in this plaintive a cappella setting for mixed choirs that artistically conveys the text and its personification of

A beautiful piece from the American Romantic Choral Series. The descriptive piano accompaniment demonstrates a programmatic character. The harmonic movement and chromaticism defies period classification but

This stunning setting uses text from Micah 6:6-8 and is dedicated to Dr. Anton Armstrong in celebration of his 25th season as conductor of the St. Olaf Choir. This selection is characterized by simple,

What an impact this august work will have on both choir and listeners! Compositionally, this is an excellent piece using impressive techniques that are truly captivating. The rhythmic structure develops

Crafted for double choir and two soloists, this contemporary work reflects on the experiences of immigrants to the United States. It can be performed antiphonally, immersing the audience in the impact of

From the American Romantic Choral Series comes this beautiful choral piece. This tender motet gazes into the night sky in a three-verse setting. The first for the star and the second for the moon are

A soul-stirring original gospel ballad for piano, choir, and solo that resonates with the unwavering promise of divine presence, this piece encapsulates the assurance that, amid life's trials, God remains

Setting Elizabeth Allen's haiku, this dynamic choral work pulsates with rousing rhythms and intricate ostinati, echoing the call to stand up for justice. Part of the song cycle Voices Without

Composed as a graduation song, You're With Me Everywhere is a song of encouragement and hope that will complement any concert program. The words are uplifting and the tune grabs at your heart,