Psalm 119

This piece originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.  The well-known words by Wilfred Owen are

This carol can be used either within a Christmas service or as a stand-alone Christmas centerpiece. The text portrays a work of contrast and variety, conveying a full palette of colors- majestic and

The Dead Soldier
(for SATB choir and orchestra OR piano)  Duration: circa 4 minutes
The Dead Soldier originally appeared as part of the third movement of The Great War Symphony written to

This piece which features on Patrick's album Fair Albion uses the orchestra to convey a panoramic pastoral scene. It is particularly inspired by the undulating Wolds of Lincolnshire, the county in which

These four motets create a fresh approach to well-known ancient texts. They may be sung either as a complete set or individually within a carol service or other liturgical setting. Virga Jesse

A 15th-century text inspired this a cappella setting reminiscent of medieval tonality and rhythm. The dynamics are restrained overall, but contrast is important in each verse.  Frequent time signature

A spirited and original interpretation of the well-known Dutch carol.  Each verse provides variation and contrast with the bright, playful organ underpinning the soprano and alto textures.

The Last Post
(for soprano, SATB choir and orchestra OR piano)  Duration: circa 2 minutes
The Last Post originally appeared as part of the fourth and final movement of The Great War Symphony

A lilting melody is introduced against which the independent choral parts call for love to pervade all that we do. A defiant middle section proclaiming that "no fear be known to us" creates cohesion and

This simple version of The Lord's Prayer is taken from The Edenham Eucharist. Some unexpected key changes help to sustain the momentum, although the overriding approach is one of

The original 15th century English text has been slightly shortened and adapted to provide the basis for this simple, atmospheric carol. The Virgin Mary sings the Infant Jesus to sleep, conveying the love

Upper and lower voices are divided into two distinct choral worlds. The sopranos and altos narrate Wordsworth's majestic text, while tenors and basses take on the role of minstrels playing "their Christmas

Six a cappella carols with modern texts by Andrew Hawes are in this collection. The Infant; The Shepherds and The Magi follow the structure of verse and chorus and are upbeat and full of

There is a sense of simplicity and transparency in this piece. Movement is created through a strong and engaging pulse and an awareness of the underlying lilt of the phrasing. The alternating choral

This composition asks the listener to dwell on all that is pure. For this reason the music develops from simple unison singing through to rich and warm harmonic textures, with restrained dynamics

Written for The Self-Isolation Choir which was formed in 2020 in response to the COVID-19 lockdown, this carol is imbued with both a sense of longing and the hope that a healing light may be born to comfort

This unusual 15th-century text highlights the dialogue between Mary and Joseph. Despite an overriding atmosphere of joy and love, there is a premonition of Calvary. A subtle sense of urgency is also

An original tune has been composed for the traditional William Chatterton Dix text. This a cappella carol setting has a flexible tempo without set dynamic markings. The musical expression is contrasted

The profound opening words of Saint John's Gospel, used in The Word, reach back to the beginning of creation, and the music is therefore mystical and subdued  until the phrase "in him was